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Guess what show you’re going to miss (if you haven’t seen it already) in DC? Rachel Whiteread’s first major museum retrospective, which closes at the National Gallery of Art this Sunday, January 13, 2019 – one of only two stops for the exhibition in the United States. So for the next video in our series Great Art You Can’t See Right Now Because of the Chuckleheads In Washington, we’re sharing with you this Rachel Whiteread documentary, since you can’t see the exhibition. Co-organized by the National Gallery of Art and Tate Britain (where it first appeared), the exhibition brings together some 100 objects from the course of the artist’s 30–year career, including drawings, photographs, architecture-scaled sculptures, archival materials, documentary materials on public projects, and several new works on view for the first time. Fortunately, you’ll have another chance to catch it at the Saint Louis Art Museum, March 17–June 9, 2019.

In 1993, Rachel Whiteread was the first woman to win Tate Britain’s prestigious Turner Prize, the same year she completed her sculpture House (1993) – a concrete cast of a Victorian terraced house in London’s East End, which was hailed as one of the greatest public sculptures by an English artist in the twentieth century. Completed in autumn of 1993 and demolished in January 1994, this documentary from Artangel features rare scenes of the creation of the house, as well as clips from the video journal that Whiteread kept about the creation of the work.

Museums

Sponsor
8:04

MUSEUMS: Sarah Oppenheimer: Sensitive Machine

5:24

MUSEUMS: For Walter J. Hood, Architecture Means Power

4:28

MUSEUMS: Fabric Workshop and Museum Explores Clay and Fabric

8:08

MUSEUMS: Julie Mehretu Behind-the-Scenes With Checkerboard Films

2:09

MUSEUMS: Alice Neel Paints Life “Hot off the Griddle”

Galleries

5:24

GALLERIES: Alec Soth Takes the Measure of Photography

6:09

GALLERIES: Pablo Picasso: Seven Decades of Drawing

3:41

GALLERIES: For Landon Metz, Failure is an Option

4:17

GALLERIES: Jacob El Hanani Is a Line-Maker

1:09:20

LONGFORM: Sheila Hicks Reflects From Home in Paris

Studios

1:53

VAULT: Philip Guston Biopic Trailer (1981)

3:32

STUDIOS: Joep van Lieshout on Going Beyond Beautiful Design

5:02

STUDIOS: Peter Beard: “Nature is the best thing we’ve got”

10:34

STUDIOS: Ursula von Rydingsvard’s Material Instinct (2000)

3:00

STUDIOS: Billy Childish Gets Out of the Way of the Picture

Community

36:17

PODCAST: ‘Barbara London Calling’ Launches Season 2

Sponsor
47:07

LONGFORM: Hughie O’Donoghue in Conversation with Charles Saumarez Smith

3:31

COMMUNITY: William Eric Brown Applies New Processes to Old

58:08

PODCAST: Heidi Zuckerman in Conversation with Adam Pendleton

22:57

LONGFORM: ‘To Cast Too Bold a Shadow’ Exhibition Walkthrough

Market

3:39

MARKET: For Kimsooja, Immaterial Art Achieves Memory

15:35

MARKET: How Christie’s and Sotheby’s Dominate the Art Market

3:00

MARKET: Ghada Amer on Being a Woman Artist

4:37

MARKET: Catherine Petitgas is an Enabler

2:34

MARKET: Kunsthalle Basel Is of Its Time