VAULT: Jonas Mekas Reflects on a Happy Life (1922–2019)
NOWNESS
MARKET: Renzo Piano Never Stops Going
TASCHEN
COMMUNITY: Mike Kelley is a Good Boy
Art21
STUDIOS: Can Lisa Anne Auerbach Divine the Future of Art?
Whitney Museum of American Art
GALLERIES: Luchita Hurtado Speaks for the Trees
Hauser & Wirth
MUSEUMS: Girault de Prangey’s Monumental Journey
The Metropolitan Museum of Art
VAULT: The Soul of Rotraut in Yves Klein’s Paintings
Louisiana Channel
LONGFORM: The Sea Ranch Occupies the Cliff
San Francisco Museum of Modern Art
MARKET: Bruce Nauman is a True Artist
Phaidon
COMMUNITY: ‘Never Look Away’ Nominated for Academy Award
Sony Pictures Classics
STUDIOS: Amy Myers Gives Form to the Unseen Universe
Elizabeth Foundation for the Arts
GALLERIES: Ari Marcopoulos and Jason Moran Take it to the Street
Fergus McCaffrey
MUSEUMS: Laurie Simmons Doesn’t Tell the Truth
Modern Art Museum of Fort Worth
VAULT: Cindy Sherman Doesn’t Want to be Recognized (1986)
Illuminations Media
LONGFORM: Jack Whitten – An Artist’s Life
Art21
MARKET: Colliding Contexts With Cameron Welch
Phillips
COMMUNITY: ‘The Night Watch’ Belongs to All of Us
Rijksmuseum
STUDIOS: Lynette Yiadom-Boakye’s Paintings Find Their Own Way
Tate
GALLERIES: Anthony McCall’s Dance with Light
Sean Kelly
MUSEUMS: Rob Wynne Picks Things Up Along the Way
Brooklyn Museum
VAULT: Gordon Parks Goes to Washington in 1942 (2001)
National Visionary Leadership Project
LONGFORM: The Ghost of Rachel Whiteread’s ‘House’ (1993)
Artangel
MARKET: Visiting Designtex Artist Collaborators
Designtex
COMMUNITY: Interview with Dawoud Bey
National Gallery of Art
STUDIOS: Charline von Heyl Wants to be Seen
Deichtorhallen Hamburg
GALLERIES: George Condo Visits ‘Bacon’s Women’
Ordovas
MUSEUMS: Bill Traylor Tells the Story
Breakaway Films
VAULT: Sister Wendy Checks in on the Colonies (1996)
BBC
LONGFORM: Rafael Lozano–Hemmer’s Shutdown Heartbeats
Hirshhorn Museum
MARKET: Collector Pedro Barbosa Prices the Immaterial
Art Basel
COMMUNITY: Jerry Saltz Takes Van Gogh to the People
New York Magazine / Vulture
STUDIOS: Robert Smithson from New Jersey and Back Again
State of the Arts
MUSEUMS: Cai Guo-Qiang’s Fireworks Extravaganza
Tang Hua Fireworks Company
MUSEUMS: Jane Dickson’s New Year’s Revelers
Jane Dickson
MUSEUMS: Music and a Drink with Manet – For a Happy Holiday Season
The National Gallery, London
VAULT: Conserving Nam June Paik’s ‘Fin de Siècle II,’ 1989
Whitney Museum of American Art
LONGFORM: Larry Bell Works in a Vacuum
Eric Minh Swenson
MARKET: The Cézanne that was Held Hostage
Sotheby's
COMMUNITY: How to Be Seen — Be Hito Steyerl
Tate
STUDIOS: Helen Pashgian Erases Physicalities
Getty Conservation Institute
GALLERIES: Sadamasa Motonaga’s Thoughts on New York
Fergus McCaffrey
MUSEUMS: Richard Wilson Makes It Bigger on the Inside
Hayward Gallery
VAULT: Take a Drive with Ed Ruscha (in a 2000 Lexus)
NOWNESS
LONGFORM: Betty Tompkins Makes You Look
MOMMY
MARKET: Andy Warhol Was a Business, Man
The Art Assignment
COMMUNITY: Trevor Paglen in Space!
Nevada Museum of Art
STUDIOS: Tavares Strachan Shows Da Vinci How It’s Done
Allen Institute
GALLERIES: Alexander Calder Creates Energy in Edges
Hauser & Wirth
MUSEUMS: Harry Belafonte on Charles White
Museum of Modern Art
VAULT: Judy Chicago Has Been Reckoning All Along (2010)
San Francisco Museum of Modern Art
LONGFORM: Blockchain and the Art World Panel Discussion
Art Basel
MARKET: Sarah Morris’ Monumental Abstractions
South Florida PBS
COMMUNITY: Tomás Saraceno Dreams About Flying Cities
The Creators Project
STUDIOS: Felice Grodin Engages With the Environment
Pérez Art Museum Miami
GALLERIES: Romare Bearden Feels the Vibrations of the Harlem Renaissance
DC Moore Gallery
MUSEUMS: Deep Thoughts With Paola Pivi’s Bears
NOWNESS
VAULT: Clyfford Still Makes an Impact (2011)
Clyfford Still Museum
LONGFORM: The Graffiti Godfathers of Miami
VICE
MARKET: Andy Warhol Saw It Coming
Phillips
COMMUNITY: Roz Chast And Her Rejects
School of Visual Arts
STUDIOS: Cecily Brown Doesn’t Care for Phones
Louisiana Channel
GALLERIES: Luca Pancrazzi Contemplates the Beginning of Time
TOTAH Gallery
MUSEUMS: Barbara Kruger Keeps Questioning, 30 Year Later
The Museum of Contemporary Art, Los Angeles
GALLERIES: Legendary Gallerist Paula Cooper Sticks to the Fundamentals
Art Basel
MUSEUMS: Manuel Solano Makes Art About Themselves
Institute of Contemporary Art, Miami
VAULT: Ana Mendieta Leaves Traces
Hayward Gallery
LONGFORM: The Quilters of Gee’s Bend Express Love
The New York Times
MARKET: Calvin Klein is in on Warhol Mania
Calvin Klein
COMMUNITY: Kara Walker & Jason Moran Talk ‘Katastwóf Karavan’
Art21
STUDIOS: Could You Print Like Andy Warhol?
Tate
GALLERIES: Alex “Defer” Kizu Achieves Flow State
L.A. Louver
MUSEUMS: Explore Yourself at the Reopened Menil Collection
The Menil Collection
VAULT: Carleton Watkins and the Beauty and Peril of the American West
San Francisco Museum of Modern Art
LONGFORM: Kader Attia Wants to Change the World
Bloomberg – Brilliant Ideas
MARKET: Alberto Burri Was a Master of Destruction
Phillips
COMMUNITY: Celebrating the Richard Diebenkorn Catalogue Raisonné
Richard Diebenkorn Foundation
STUDIOS: Dana Schutz’s Weird Thoughts While Painting
San Francisco Museum of Modern Art
GALLERIES: Blank Projects Gives South African Artists a Platform
Art Basel
MUSEUMS: ‘Soul of a Nation’ Comes Home to Brooklyn
Brooklyn Museum
VAULT: ‘Robert Mapplethorpe’ by Paul Tschinkel (1983/2006)
Paul Tschinkel - ART/new york
LONGFORM: Visiting Detroit’s Art Scene
The Art Assignment
MARKET: J. Tomilson Hill on Chinese Art Market
CNBC
COMMUNITY: Agnes Gund’s Art for Justice
The Getty
STUDIOS: The Madness of Stone Carving
Eyes & Ears
GALLERIES: At Espaivisor the Past Informs the Present
Art Basel
MUSEUMS: Hilma af Klint: An Artist for the Future
Guggenheim Museum
VAULT: Bruce Nauman Pokes Himself in the Eye (2000)
Art21
LONGFORM: Harvey Quaytman Broke the Mold of Abstraction
BAMPFA
MARKET: Jenny Saville’s Overshadowed Record-Breaker
Sotheby's
COMMUNITY: Meeting MacArthur Fellow Wu Tsang
MacArthur Foundation
STUDIOS: For Simonette Quamina, Collage Reflects Life
Elizabeth Foundation for the Arts
GALLERIES: Hugh Hayden Navigates Thorny Border States
Lisson Gallery
MUSEUMS: Thomas Ruff Pre-arranges Reality
Victoria and Albert Museum
VAULT: Robert Rauschenberg and His Stuffed Goat (1997)
Ovation
LONGFORM: Ai Weiwei Is Always Ready To Be Involved
Bloomberg – Brilliant Ideas
MARKET: Hunk, Moo, Putter, Head, Hands Collection Hits the Block
Christie's
COMMUNITY: Meeting MacArthur Fellow Julie Ault
MacArthur Foundation
STUDIOS: Alex Katz is Painting Really Well Now
Out of Sync - Art in Focus
GALLERIES: Ali Banisadr Invites Us In
Blain|Southern
MUSEUMS: Luke Willis Thompson Discusses His Work
Tate
VAULT: Gordon Parks Gets a Job in 1937 (2001)
National Visionary Leadership Project
LONGFORM: Restoring the Tate’s Vandalized Rothko
Tate
MARKET: Phaidon Walks Through Freud’s Studios
Phaidon
COMMUNITY: Meeting MacArthur Fellow Titus Kaphar
MacArthur Foundation
STUDIOS: The Making of ‘The Great Farce’
Federico Solmi
GALLERIES: Brett Gorvy Collapses the Infinite
Levy Gorvy
MUSEUMS: Bodys Isek Kingelez Modeled a Vision of the Future
Museum of Modern Art
VAULT: Castelli and Sonnabend Talk Pop Art (1991)
Paul Tschinkel - ART/new york
LONGFORM: Larry Was Not an Ambitious Child
92nd Street Y
MARKET: Performance Art at Frieze London
Frieze London
COMMUNITY: Instagram Traps and Museums
Vox
STUDIOS: Alicja Kwade Doesn’t Understand Things
Louisiana Channel
GALLERIES: Harland Miller Talks Tricks of Text and Color
White Cube
MUSEUMS: Introduction to the Landmark Exhibition ‘Armenia!’
The Metropolitan Museum of Art
VAULT: Directions in Painting: Stella, Salle, Golub (1982)
Paul Tschinkel - ART/new york
LONGFORM: Shaun Leonardo’s ‘Primitive Games’ as Social Practice
Guggenheim Museum
MARKET: What Happens When Sotheby’s Sells Conceptual Art?
Sotheby's
COMMUNITY: New York LGBTQ Memorial by Anthony Goicolea
Bower Blue
STUDIOS: Geta Brătescu Filled in the Circles
Hamburger Kunsthalle
GALLERIES: Gary Simmons Walks a Razor’s Edge
Simon Lee Gallery
MUSEUMS: Guadalupe Maravilla’s ‘Requiem For My Border Crossing’
Whitney Museum of American Art
VAULT: Excerpts from ‘Ruth Asawa: Of Forms and Growth’ (1978)
Masters & Masterworks
LONGFORM: Louise Nevelson Interview
Inside New York's Art World
MARKET: Valeria Napoleone on Collecting Women Artists
Christie's
COMMUNITY: B. Wurtz Lives Up to His Potential
Public Art Fund
STUDIOS: Victoria Scott on Meditative VR Art
Pioneer Works
GALLERIES: Is Wolfgang Tillmans Right?
NOWNESS
MUSEUMS: Sarah Lucas Works at Top Speed
Legion of Honor / Fine Arts Museums of San Francisco
VAULT: Carl Andre Installed in a Hardware Store
Tate
LONGFORM: Hilma af Klint’s Time Has Come
Moderna Museet
MARKET: Damien Hirst’s ‘Partner in Crime’
Sotheby's
COMMUNITY: NEW INC & Bell Labs / News From Daily Plinth
NEW INC
STUDIOS: Nan Goldin – ‘My Work Comes from Empathy and Love’
Tate
GALLERIES: Frank Bowling’s Life and Work
Frank Bowling
MUSEUMS: ‘Heavenly Bodies’ Installation Time-Lapse
The Metropolitan Museum of Art
VAULT: Sol LeWitt Installation at Pace Gallery (2007)
ConcentrateTV
LONGFORM: The Unconventional Images and Sounds of Samson Young
Bloomberg – Brilliant Ideas
MARKET: Investigating Art and Taxes
The Art Assignment
COMMUNITY: Elizabeth Murray Painting ‘Bop’ (2002-2003)
Art21
STUDIOS: ‘Verso’ – the Embroidery of Artist Cayce Zavaglia
Brass Brothers Films
