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“One of the most successful parts of that show was the upstairs installation, where you could look out the window and see a monumental sculpture and observe its original handmade maquette by my grandfather at the same time. That was really a wonderful teaching moment.” — Sandy Rower on Alexander Calder

It’s the time of year that our thoughts turn to trips to Storm King Art Center to visit its unparalleled collection of outdoor sculptures. While closed at least through June due to COVID-19 restrictions, Storm King has been sharing an outstanding collection of videos created from its Storm King Oral History Project. One of the many extraordinary exhibitions at Storm King was Grand Intuitions: Calder’s Monumental Sculptures, from 2001 to 2003. The exhibition was curated by Alexander S. C. “Sandy” Rower, Alexander Calder’s grandson and head of the Calder Foundation. From Storm King comes this video of highlights from Rower’s oral history of the exhibition.

From Storm King Art Center:

Alexander S. C. Rower, the grandson of Alexander Calder and the founder of the Calder Foundation, began organizing his grandfather’s papers into an archive in 1987. At Storm King, Rower was a guest curator of Grand Intuitions: Calder’s Monumental Sculpture, 2001–03, a three-year exhibition that included Calder’s earliest outdoor works and was the largest assemblage of Calder’s monumental sculptures ever exhibited together. In this interview, Rower describes the exhibition’s historic significance and its strategic use of the indoor galleries at Storm King to demonstrate Calder’s developmental process.

Museums

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MUSEUMS: Sarah Oppenheimer: Sensitive Machine

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MUSEUMS: For Walter J. Hood, Architecture Means Power

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MUSEUMS: Fabric Workshop and Museum Explores Clay and Fabric

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MUSEUMS: Julie Mehretu Behind-the-Scenes With Checkerboard Films

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MUSEUMS: Alice Neel Paints Life “Hot off the Griddle”

Galleries

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GALLERIES: Alec Soth Takes the Measure of Photography

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GALLERIES: Pablo Picasso: Seven Decades of Drawing

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GALLERIES: For Landon Metz, Failure is an Option

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GALLERIES: Jacob El Hanani Is a Line-Maker

1:09:20

LONGFORM: Sheila Hicks Reflects From Home in Paris

Studios

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VAULT: Philip Guston Biopic Trailer (1981)

3:32

STUDIOS: Joep van Lieshout on Going Beyond Beautiful Design

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STUDIOS: Peter Beard: “Nature is the best thing we’ve got”

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STUDIOS: Ursula von Rydingsvard’s Material Instinct (2000)

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STUDIOS: Billy Childish Gets Out of the Way of the Picture

Community

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PODCAST: ‘Barbara London Calling’ Launches Season 2

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LONGFORM: Hughie O’Donoghue in Conversation with Charles Saumarez Smith

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COMMUNITY: William Eric Brown Applies New Processes to Old

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PODCAST: Heidi Zuckerman in Conversation with Adam Pendleton

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LONGFORM: ‘To Cast Too Bold a Shadow’ Exhibition Walkthrough

Market

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MARKET: For Kimsooja, Immaterial Art Achieves Memory

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MARKET: How Christie’s and Sotheby’s Dominate the Art Market

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MARKET: Ghada Amer on Being a Woman Artist

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MARKET: Catherine Petitgas is an Enabler

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MARKET: Kunsthalle Basel Is of Its Time