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All videos tagged: Video of the Day

VAULT: Ken Price Found the Highway to the Unconscious (2005)

Matthew Marks Gallery

LONGFORM: Robert Ryman (1930–2019) Made it Look Easy


MARKET: Surreal Dreams of the “Black Renaissance”

UTA Artist Space

COMMUNITY: Paul Mpagi Sepuya on Lorna Simpson

Los Angeles County Museum of Art

STUDIOS: Allen Ruppersberg’s Studio is a Copy Machine

Walker Art Center

GALLERIES: Norbert Schwontkowski Relates to Us

Contemporary Fine Arts Gallery, Berlin

MUSEUMS: Ai Weiwei Takes on Los Angeles

Marciano Art Foundation

VAULT: Responding to Jacob Lawrence’s ‘Migration Series’

PBS Newshour

LONGFORM: Mark Bradford Makes Space

Bloomberg Brilliant Ideas

MARKET: Objects Tell the Story of Frida Kahlo


COMMUNITY: Emily and Mitchell Rales Channel Art and Nature at Glenstone

CBS Sunday Morning

STUDIOS: For Gajin Fujita the Street and the Studio Combine

Frieze Art Fairs

MUSEUMS: Trenton Doyle Hancock Brings the Moundverse


VAULT: Jonas Mekas Reflects on a Happy Life (1922–2019)


MARKET: Renzo Piano Never Stops Going


COMMUNITY: Mike Kelley is a Good Boy


STUDIOS: Can Lisa Anne Auerbach Divine the Future of Art?

Whitney Museum of American Art

GALLERIES: Luchita Hurtado Speaks for the Trees

Hauser & Wirth

MUSEUMS: Girault de Prangey’s Monumental Journey

The Metropolitan Museum of Art

VAULT: The Soul of Rotraut in Yves Klein’s Paintings

Louisiana Channel

LONGFORM: The Sea Ranch Occupies the Cliff

San Francisco Museum of Modern Art

MARKET: Bruce Nauman is a True Artist


COMMUNITY: ‘Never Look Away’ Nominated for Academy Award

Sony Pictures Classics

STUDIOS: Amy Myers Gives Form to the Unseen Universe

Elizabeth Foundation for the Arts

GALLERIES: Ari Marcopoulos and Jason Moran Take it to the Street

Fergus McCaffrey

MUSEUMS: Laurie Simmons Doesn’t Tell the Truth

Modern Art Museum of Fort Worth

VAULT: Cindy Sherman Doesn’t Want to be Recognized (1986)

Illuminations Media

LONGFORM: Jack Whitten – An Artist’s Life


MARKET: Colliding Contexts With Cameron Welch


COMMUNITY: ‘The Night Watch’ Belongs to All of Us


STUDIOS: Lynette Yiadom-Boakye’s Paintings Find Their Own Way


GALLERIES: Anthony McCall’s Dance with Light

Sean Kelly Gallery

MUSEUMS: Rob Wynne Picks Things Up Along the Way

Brooklyn Museum

VAULT: Gordon Parks Goes to Washington in 1942 (2001)

National Visionary Leadership Project

LONGFORM: The Ghost of Rachel Whiteread’s ‘House’ (1993)


MARKET: Visiting Designtex Artist Collaborators


COMMUNITY: Interview with Dawoud Bey

National Gallery of Art

STUDIOS: Charline von Heyl Wants to be Seen

Deichtorhallen Hamburg

GALLERIES: George Condo Visits ‘Bacon’s Women’


MUSEUMS: Bill Traylor Tells the Story

Breakaway Films

VAULT: Sister Wendy Checks in on the Colonies (1996)


LONGFORM: Rafael Lozano–Hemmer’s Shutdown Heartbeats

Hirshhorn Museum

MARKET: Collector Pedro Barbosa Prices the Immaterial

Art Basel

COMMUNITY: Jerry Saltz Takes Van Gogh to the People

New York

STUDIOS: Robert Smithson from New Jersey and Back Again

State of the Arts

MUSEUMS: Cai Guo-Qiang’s Fireworks Extravaganza

Tang Hua Fireworks Company

MUSEUMS: Jane Dickson’s New Year’s Revelers

Jane Dickson

MUSEUMS: Music and a Drink with Manet – For a Happy Holiday Season

The National Gallery, London

VAULT: Conserving Nam June Paik’s ‘Fin de Siècle II,’ 1989

Whitney Museum of American Art

LONGFORM: Larry Bell Works in a Vacuum

Eric Minh Swenson

MARKET: The Cézanne that was Held Hostage


COMMUNITY: How to Be Seen — Be Hito Steyerl


STUDIOS: Helen Pashgian Erases Physicalities

Getty Conservation Institute

GALLERIES: Sadamasa Motonaga’s Thoughts on New York

Fergus McCaffrey

MUSEUMS: Richard Wilson Makes It Bigger on the Inside

Hayward Gallery

VAULT: Take a Drive with Ed Ruscha (in a 2000 Lexus)


LONGFORM: Betty Tompkins Makes You Look


MARKET: Andy Warhol Was a Business, Man

The Art Assignment

COMMUNITY: Trevor Paglen in Space!

Nevada Museum of Art

STUDIOS: Tavares Strachan Shows Da Vinci How It’s Done

Allen Institute

GALLERIES: Alexander Calder Creates Energy in Edges

Hauser & Wirth

MUSEUMS: Harry Belafonte on Charles White

Museum of Modern Art

VAULT: Judy Chicago Has Been Reckoning All Along (2010)

San Francisco Museum of Modern Art

LONGFORM: Blockchain and the Art World Panel Discussion

Art Basel

MARKET: Sarah Morris’ Monumental Abstractions

South Florida PBS

COMMUNITY: Tomás Saraceno Dreams About Flying Cities

The Creators Project

STUDIOS: Felice Grodin Engages With the Environment

Pérez Art Museum Miami

GALLERIES: Romare Bearden Feels the Vibrations of the Harlem Renaissance

DC Moore Gallery

MUSEUMS: Deep Thoughts With Paola Pivi’s Bears


VAULT: Clyfford Still Makes an Impact (2011)

Clyfford Still Museum

LONGFORM: The Graffiti Godfathers of Miami


MARKET: Andy Warhol Saw It Coming


COMMUNITY: Roz Chast And Her Rejects

School of Visual Arts

STUDIOS: Cecily Brown Doesn’t Care for Phones

Louisiana Channel

GALLERIES: Luca Pancrazzi Contemplates the Beginning of Time

TOTAH Gallery

MUSEUMS: Barbara Kruger Keeps Questioning, 30 Year Later

The Museum of Contemporary Art, Los Angeles

GALLERIES: Legendary Gallerist Paula Cooper Sticks to the Fundamentals

Art Basel

MUSEUMS: Manuel Solano Makes Art About Themselves

Institute of Contemporary Art, Miami

VAULT: Ana Mendieta Leaves Traces

Hayward Gallery

LONGFORM: The Quilters of Gee’s Bend Express Love

New York Times

MARKET: Calvin Klein is in on Warhol Mania

Calvin Klein

COMMUNITY: Kara Walker & Jason Moran Talk ‘Katastwóf Karavan’


STUDIOS: Could You Print Like Andy Warhol?


GALLERIES: Alex “Defer” Kizu Achieves Flow State

L.A. Louver

MUSEUMS: Explore Yourself at the Reopened Menil Collection

The Menil Collection

VAULT: Carleton Watkins and the Beauty and Peril of the American West

San Francisco Museum of Modern Art

LONGFORM: Kader Attia Wants to Change the World

Bloomberg – Brilliant Ideas

MARKET: Alberto Burri Was a Master of Destruction


COMMUNITY: Celebrating the Richard Diebenkorn Catalogue Raisonné

Richard Diebenkorn Foundation

STUDIOS: Dana Schutz’s Weird Thoughts While Painting

San Francisco Museum of Modern Art

GALLERIES: Blank Projects Gives South African Artists a Platform

Art Basel

MUSEUMS: ‘Soul of a Nation’ Comes Home to Brooklyn

Brooklyn Museum

VAULT: ‘Robert Mapplethorpe’ by Paul Tschinkel (1983/2006)

Paul Tschinkel - ART/new york

LONGFORM: Visiting Detroit’s Art Scene

The Art Assignment

MARKET: J. Tomilson Hill on Chinese Art Market


COMMUNITY: Agnes Gund’s Art for Justice

The Getty

STUDIOS: The Madness of Stone Carving

Eyes & Ears

GALLERIES: At Espaivisor the Past Informs the Present

Art Basel

MUSEUMS: Hilma af Klint: An Artist for the Future

Guggenheim Museum

VAULT: Bruce Nauman Pokes Himself in the Eye (2000)


LONGFORM: Harvey Quaytman Broke the Mold of Abstraction


MARKET: Jenny Saville’s Overshadowed Record-Breaker


COMMUNITY: Meeting MacArthur Fellow Wu Tsang

MacArthur Foundation

STUDIOS: For Simonette Quamina, Collage Reflects Life

Elizabeth Foundation for the Arts

GALLERIES: Hugh Hayden Navigates Thorny Border States

Lisson Gallery

MUSEUMS: Thomas Ruff Pre-arranges Reality

Victoria and Albert Museum

VAULT: Robert Rauschenberg and His Stuffed Goat (1997)


LONGFORM: Ai Weiwei Is Always Ready To Be Involved

Bloomberg – Brilliant Ideas

MARKET: Hunk, Moo, Putter, Head, Hands Collection Hits the Block


COMMUNITY: Meeting MacArthur Fellow Julie Ault

MacArthur Foundation

STUDIOS: Alex Katz is Painting Really Well Now

Out of Sync - Art in Focus

GALLERIES: Ali Banisadr Invites Us In


MUSEUMS: Luke Willis Thompson Discusses His Work


VAULT: Gordon Parks Gets a Job in 1937 (2001)

National Visionary Leadership Project

LONGFORM: Restoring the Tate’s Vandalized Rothko


MARKET: Phaidon Walks Through Freud’s Studios


COMMUNITY: Meeting MacArthur Fellow Titus Kaphar

MacArthur Foundation

STUDIOS: The Making of ‘The Great Farce’

Federico Solmi

GALLERIES: Brett Gorvy Collapses the Infinite

Levy Gorvy

MUSEUMS: Bodys Isek Kingelez Modeled a Vision of the Future

Museum of Modern Art

VAULT: Castelli and Sonnabend Talk Pop Art (1991)

Paul Tschinkel - ART/new york

LONGFORM: Larry Was Not an Ambitious Child

92nd Street Y

MARKET: Performance Art at Frieze London

Frieze London

COMMUNITY: Instagram Traps and Museums


STUDIOS: Alicja Kwade Doesn’t Understand Things

Louisiana Channel

GALLERIES: Harland Miller Talks Tricks of Text and Color

White Cube

MUSEUMS: Introduction to the Landmark Exhibition ‘Armenia!’

The Met

VAULT: Directions in Painting: Stella, Salle, Golub (1982)

Paul Tschinkel - ART/new york

LONGFORM: Shaun Leonardo’s ‘Primitive Games’ as Social Practice

Guggenheim Museum

MARKET: What Happens When Sotheby’s Sells Conceptual Art?


COMMUNITY: New York LGBTQ Memorial by Anthony Goicolea

Bower Blue

STUDIOS: Geta Brătescu Filled in the Circles

Hamburger Kunsthalle

GALLERIES: Gary Simmons Walks a Razor’s Edge

Simon Lee Gallery

MUSEUMS: Guadalupe Maravilla’s ‘Requiem For My Border Crossing’

Whitney Museum of American Art

VAULT: Excerpts from ‘Ruth Asawa: Of Forms and Growth’ (1978)

Masters & Masterworks

LONGFORM: Louise Nevelson Interview

Inside New York's Art World

MARKET: Valeria Napoleone on Collecting Women Artists


COMMUNITY: B. Wurtz Lives Up to His Potential

Public Art Fund

STUDIOS: Victoria Scott on Meditative VR Art

Pioneer Works

GALLERIES: Is Wolfgang Tillmans Right?