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All videos tagged: Video of the Day

GALLERIES: Sadamasa Motonaga’s Thoughts on New York

Fergus McCaffrey

MUSEUMS: Richard Wilson Makes It Bigger on the Inside

Hayward Gallery

VAULT: Take a Drive with Ed Ruscha (in a 2000 Lexus)


LONGFORM: Betty Tompkins Makes You Look


MARKET: Andy Warhol Was a Business, Man

The Art Assignment

COMMUNITY: Trevor Paglen in Space!

Nevada Museum of Art

STUDIOS: Tavares Strachan Shows Da Vinci How It’s Done

Allen Institute

GALLERIES: Alexander Calder Creates Energy in Edges

Hauser & Wirth

MUSEUMS: Harry Belafonte on Charles White

Museum of Modern Art

VAULT: Judy Chicago Has Been Reckoning All Along (2010)

San Francisco Museum of Modern Art

LONGFORM: Blockchain and the Art World Panel Discussion

Art Basel

MARKET: Sarah Morris’ Monumental Abstractions

South Florida PBS

COMMUNITY: Tomás Saraceno Dreams About Flying Cities

The Creators Project

STUDIOS: Felice Grodin Engages With the Environment

Pérez Art Museum Miami

GALLERIES: Romare Bearden Feels the Vibrations of the Harlem Renaissance

DC Moore Gallery

MUSEUMS: Deep Thoughts With Paola Pivi’s Bears


VAULT: Clyfford Still Makes an Impact (2011)

Clyfford Still Museum

LONGFORM: The Graffiti Godfathers of Miami


MARKET: Andy Warhol Saw It Coming


COMMUNITY: Roz Chast And Her Rejects

School of Visual Arts

STUDIOS: Cecily Brown Doesn’t Care for Phones

Louisiana Channel

GALLERIES: Luca Pancrazzi Contemplates the Beginning of Time

TOTAH Gallery

MUSEUMS: Barbara Kruger Keeps Questioning, 30 Year Later

The Museum of Contemporary Art, Los Angeles

GALLERIES: Legendary Gallerist Paula Cooper Sticks to the Fundamentals

Art Basel

MUSEUMS: Manuel Solano Makes Art About Themselves

Institute of Contemporary Art, Miami

VAULT: Ana Mendieta Leaves Traces

Hayward Gallery

LONGFORM: The Quilters of Gee’s Bend Express Love

New York Times

MARKET: Calvin Klein is in on Warhol Mania

Calvin Klein

COMMUNITY: Kara Walker & Jason Moran Talk ‘Katastwóf Karavan’


STUDIOS: Could You Print Like Andy Warhol?


GALLERIES: Alex “Defer” Kizu Achieves Flow State

L.A. Louver

MUSEUMS: Explore Yourself at the Reopened Menil Collection

The Menil Collection

VAULT: Carleton Watkins and the Beauty and Peril of the American West

San Francisco Museum of Modern Art

LONGFORM: Kader Attia Wants to Change the World

Bloomberg – Brilliant Ideas

MARKET: Alberto Burri Was a Master of Destruction


COMMUNITY: Celebrating the Richard Diebenkorn Catalogue Raisonné

Richard Diebenkorn Foundation

STUDIOS: Dana Schutz’s Weird Thoughts While Painting

San Francisco Museum of Modern Art

GALLERIES: Blank Projects Gives South African Artists a Platform

Art Basel

MUSEUMS: ‘Soul of a Nation’ Comes Home to Brooklyn

Brooklyn Museum

VAULT: ‘Robert Mapplethorpe’ by Paul Tschinkel (1983/2006)

Paul Tschinkel - ART/new york

LONGFORM: Visiting Detroit’s Art Scene

The Art Assignment

MARKET: J. Tomilson Hill on Chinese Art Market


COMMUNITY: Agnes Gund’s Art for Justice

The Getty

STUDIOS: The Madness of Stone Carving

Eyes & Ears

GALLERIES: At Espaivisor the Past Informs the Present

Art Basel

MUSEUMS: Hilma af Klint: An Artist for the Future

Guggenheim Museum

VAULT: Bruce Nauman Pokes Himself in the Eye (2000)


LONGFORM: Harvey Quaytman Broke the Mold of Abstraction


MARKET: Jenny Saville’s Overshadowed Record-Breaker


COMMUNITY: Meeting MacArthur Fellow Wu Tsang

MacArthur Foundation

STUDIOS: For Simonette Quamina, Collage Reflects Life

Elizabeth Foundation for the Arts

GALLERIES: Hugh Hayden Navigates Thorny Border States

Lisson Gallery

MUSEUMS: Thomas Ruff Pre-arranges Reality

Victoria and Albert Museum

VAULT: Robert Rauschenberg and His Stuffed Goat (1997)


LONGFORM: Ai Weiwei Is Always Ready To Be Involved

Bloomberg – Brilliant Ideas

MARKET: Hunk, Moo, Putter, Head, Hands Collection Hits the Block


COMMUNITY: Meeting MacArthur Fellow Julie Ault

MacArthur Foundation

STUDIOS: Alex Katz is Painting Really Well Now

Out of Sync - Art in Focus

GALLERIES: Ali Banisadr Invites Us In


MUSEUMS: Luke Willis Thompson Discusses His Work


VAULT: Gordon Parks Gets a Job in 1937 (2001)

National Visionary Leadership Project

LONGFORM: Restoring the Tate’s Vandalized Rothko


MARKET: Phaidon Walks Through Freud’s Studios


COMMUNITY: Meeting MacArthur Fellow Titus Kaphar

MacArthur Foundation

STUDIOS: The Making of ‘The Great Farce’

Federico Solmi

GALLERIES: Brett Gorvy Collapses the Infinite

Levy Gorvy

MUSEUMS: Bodys Isek Kingelez Modeled a Vision of the Future

Museum of Modern Art

VAULT: Castelli and Sonnabend Talk Pop Art (1991)

Paul Tschinkel - ART/new york

LONGFORM: Larry Was Not an Ambitious Child

92nd Street Y

MARKET: Performance Art at Frieze London

Frieze London

COMMUNITY: Instagram Traps and Museums


STUDIOS: Alicja Kwade Doesn’t Understand Things

Louisiana Channel

GALLERIES: Harland Miller Talks Tricks of Text and Color

White Cube

MUSEUMS: Introduction to the Landmark Exhibition ‘Armenia!’

The Met

VAULT: Directions in Painting: Stella, Salle, Golub (1982)

Paul Tschinkel - ART/new york

LONGFORM: Shaun Leonardo’s ‘Primitive Games’ as Social Practice

Guggenheim Museum

MARKET: What Happens When Sotheby’s Sells Conceptual Art?


COMMUNITY: New York LGBTQ Memorial by Anthony Goicolea

Bower Blue

STUDIOS: Geta Brătescu Filled in the Circles

Hamburger Kunsthalle

GALLERIES: Gary Simmons Walks a Razor’s Edge

Simon Lee Gallery

MUSEUMS: Guadalupe Maravilla’s ‘Requiem For My Border Crossing’

Whitney Museum of American Art

VAULT: Excerpts from ‘Ruth Asawa: Of Forms and Growth’ (1978)

Masters & Masterworks

LONGFORM: Louise Nevelson Interview

Inside New York's Art World

MARKET: Valeria Napoleone on Collecting Women Artists


COMMUNITY: B. Wurtz Lives Up to His Potential

Public Art Fund

STUDIOS: Victoria Scott on Meditative VR Art

Pioneer Works

GALLERIES: Is Wolfgang Tillmans Right?


MUSEUMS: Sarah Lucas Works at Top Speed

Legion of Honor / Fine Arts Museums of San Francisco

VAULT: Carl Andre Installed in a Hardware Store


LONGFORM: Hilma af Klint’s Time Has Come

Moderna Museet

MARKET: Damien Hirst’s ‘Partner in Crime’


COMMUNITY: NEW INC & Bell Labs / News From Daily Plinth


STUDIOS: Nan Goldin – ‘My Work Comes from Empathy and Love’


GALLERIES: Frank Bowling’s Life and Work

Frank Bowling

MUSEUMS: ‘Heavenly Bodies’ Installation Time-Lapse

The Met

VAULT: Sol LeWitt Installation at Pace Gallery (2007)


LONGFORM: The Unconventional Images and Sounds of Samson Young

Bloomberg – Brilliant Ideas

MARKET: Investigating Art and Taxes

The Art Assignment

COMMUNITY: Elizabeth Murray Painting ‘Bop’ (2002-2003)


STUDIOS: ‘Verso’ – the Embroidery of Artist Cayce Zavaglia

Brass Brothers Films

GALLERIES: Blum and Burns Talk Running a Gallery

Art Agency, Partners

MUSEUMS: Yugoslav Concrete Utopia

Museum of Modern Art

VAULT: Painting Diego Rivera’s Frescoes

San Francisco Museum of Modern Art

LONGFORM: Treasures of New York: The Frick Collection

PBS Thirteen

MARKET: Secrets of a Successful Artist–Gallerist Relationship

Art Basel

COMMUNITY: The Evolution of the Heidelberg Project

The Heidelberg Project

STUDIOS: Theaster Gates on Black Madonna

Kunstmuseum Basel

GALLERIES: Doodle & Disegno Works on Paper at Blain|Southern


MUSEUMS: I Was Raised on the Internet at MCA Chicago

MCA Chicago

VAULT: David Smith’s Cubes and Anarchy at LACMA


LONGFORM: Rare 1979 Interview with Alice Neel

Inside New York’s Art World

MARKET: Why Is This Ferrari So Expensive?

RM | Sotheby's

COMMUNITY: Martin Puryear: “Big Bling”


STUDIOS: Mary Weatherford at Princeton

Princeton University

GALLERIES: Holland Cotter on Cady Noland at Paula Cooper

GalleryBeat TV

MUSEUMS: Infinite Reflections in a Kinetic Environment


VAULT: de Kooning on Painting Women


LONGFORM: Stealing de Kooning


MARKET: Walk in the Park with Frieze Sculpture 2018

Frieze Art Fairs

COMMUNITY: Lucy Sparrow REALLY Likes Felt

New York Magazine

STUDIOS: Ellsworth Kelly Explains Abstract Art

San Francisco Museum of Modern Art

GALLERIES: Adriana Varejão’s Saunas, Baths, and Meat in Venice

Victoria Miro

MUSEUMS: Art & Conspiracy at the Met

The Met

VAULT: Clement Greenberg Throws Shade at Pop Art


LONGFORM: Ed Ruscha Interview: A Long Way from Oklahoma

Louisiana Channel

MARKET: Michael Rakowitz on Rebuilding Nimrud

Art Basel

COMMUNITY: Could we remake the Met?

The Art Assignment

STUDIOS: Richard Jackson Paints with Two Balls

The Museum of Contemporary Art Los Angeles

GALLERIES: Classic GalleryBeat TV

GalleryBeat TV

MUSEUMS: How Does Andy Warhol Eat a Hamburger?

Louisiana Channel

VAULT: Andy Warhol and Jean-Michel Basquiat, 1986

Illuminations Media

LONGFORM: Leo Castelli Interview, 1976

About the Arts

MARKET: Piecing Together Jeff Koons’ “Play-Doh”


COMMUNITY: Tauba Auerbach Dazzles a Fireboat

Public Art Fund

STUDIOS: Travis Somerville on Confederate Monuments

Joan Mitchell Foundation

GALLERIES: Behind the Scenes with Angela de la Cruz

Lisson Gallery

MUSEUMS: An Exhibition on Abstract Language and Indigenous Architecture

Whitney Museum of American Art

VAULT: Nam June Paik on Technology and Inspiration

Paul Tschinkel - ART/new york

LONGFORM: Marcel Duchamp Interview on Art and Dada (1956)

Manufacturing Intellect

MARKET: Mia Pearlman’s Inspiration for “The Flying Tidings Whirled”

MGM Resorts Art & Culture