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“It’s hard to overstate the trauma of this moment. At its height in 1932 – just four years before this photograph was taken – 25% of Americans were unemployed. […] [W]e’re seeing an overlay of two stories – a larger economic and political story, but also a very deeply personal, biographical story.” —Steven Zucker

On view now in New York is the first major exhibition of Dorothea Lange’s (b. 1895, Hoboken, NJ; d. 1965, San Francisco, CA) photography at the Museum of Modern Art in 50 years. Dorothea Lange: Words and Pictures focuses on the artist’s landmark 1939 book An American Exodus. The exhibition runs through May 9, 2020.  Included in the exhibition is one of the most iconic images of the 20th century: Lange’s Migrant Mother, Nipomo, California (1936), an image that only seems to resonate even more today. In light of this, Steven Zucker of Daily Plinth–favorite Smarthistory took a closer look at the photograph for their Seeing America series, speaking about the work with Eve Schillo, Assistant Curator at the Los Angeles County Museum of Art. The photograph is in LACMA’s collection, where they spoke about the social, political, and emotional impact of the photograph.

From MoMA:

In her landmark 1939 photobook An American Exodus—a central focus of the show—Lange experiments with combining words and pictures to convey the human impact of Dust Bowl migration. Conceived in collaboration with her husband, agricultural economist Paul Taylor, the book weaves together field notes, folk song lyrics, newspaper excerpts, and observations from contemporary sociologists. These are accompanied by a chorus of first-person quotations from the sharecroppers, displaced families, and migrant workers at the center of her pictures. Presenting Lange’s work in its diverse contexts—photobooks, Depression-era government reports, newspapers, magazines, poems—along with the voices of contemporary artists, writers, and thinkers, the exhibition offers a more nuanced understanding of Lange’s vocation, and new means for considering words and pictures today.

Museums

Sponsor
8:04

MUSEUMS: Sarah Oppenheimer: Sensitive Machine

5:24

MUSEUMS: For Walter J. Hood, Architecture Means Power

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MUSEUMS: Fabric Workshop and Museum Explores Clay and Fabric

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MUSEUMS: Julie Mehretu Behind-the-Scenes With Checkerboard Films

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MUSEUMS: Alice Neel Paints Life “Hot off the Griddle”

Galleries

5:24

GALLERIES: Alec Soth Takes the Measure of Photography

6:09

GALLERIES: Pablo Picasso: Seven Decades of Drawing

3:41

GALLERIES: For Landon Metz, Failure is an Option

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GALLERIES: Jacob El Hanani Is a Line-Maker

1:09:20

LONGFORM: Sheila Hicks Reflects From Home in Paris

Studios

1:53

VAULT: Philip Guston Biopic Trailer (1981)

3:32

STUDIOS: Joep van Lieshout on Going Beyond Beautiful Design

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STUDIOS: Peter Beard: “Nature is the best thing we’ve got”

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STUDIOS: Ursula von Rydingsvard’s Material Instinct (2000)

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STUDIOS: Billy Childish Gets Out of the Way of the Picture

Community

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PODCAST: ‘Barbara London Calling’ Launches Season 2

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LONGFORM: Hughie O’Donoghue in Conversation with Charles Saumarez Smith

3:31

COMMUNITY: William Eric Brown Applies New Processes to Old

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PODCAST: Heidi Zuckerman in Conversation with Adam Pendleton

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LONGFORM: ‘To Cast Too Bold a Shadow’ Exhibition Walkthrough

Market

3:39

MARKET: For Kimsooja, Immaterial Art Achieves Memory

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MARKET: How Christie’s and Sotheby’s Dominate the Art Market

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MARKET: Ghada Amer on Being a Woman Artist

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MARKET: Catherine Petitgas is an Enabler

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MARKET: Kunsthalle Basel Is of Its Time