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“It’s got all the right elements that I was chasing. My worry is, to push it further is to deny the density of the surface. And it has a kinetic charge to it as it is. So… I’m going to now step back.” —Jason Martin

The paintings of Jason Martin (b. 1970, Channel Islands) have a minimal quality to them that belies their energy and kineticism. His work is often a deep investigation into the process of painting, and of the most fundamental impacts of color and form. He is currently featured in a solo show at Lisson Gallery in London, Long Way Home, through June 22, 2019. In this video, Lisson Gallery spends a day with Martin in his studio for a behind-the-scenes look at the energy and thought process that goes into creating a painting for his new exhibition.

Museums

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Studios

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VAULT: Philip Guston Biopic Trailer (1981)

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STUDIOS: Joep van Lieshout on Going Beyond Beautiful Design

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STUDIOS: Peter Beard: “Nature is the best thing we’ve got”

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STUDIOS: Ursula von Rydingsvard’s Material Instinct (2000)

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STUDIOS: Billy Childish Gets Out of the Way of the Picture

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PODCAST: ‘Barbara London Calling’ Launches Season 2

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LONGFORM: Hughie O’Donoghue in Conversation with Charles Saumarez Smith

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COMMUNITY: William Eric Brown Applies New Processes to Old

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PODCAST: Heidi Zuckerman in Conversation with Adam Pendleton

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LONGFORM: ‘To Cast Too Bold a Shadow’ Exhibition Walkthrough

Market

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MARKET: For Kimsooja, Immaterial Art Achieves Memory

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MARKET: How Christie’s and Sotheby’s Dominate the Art Market

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MARKET: Ghada Amer on Being a Woman Artist

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