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“Random Access Memory comes at a time of unprecedented physical and metaphorical wall-building.” —Sarah Bejerano

Polish sculptor and installation artist Miroslaw Balka (b. 1958) has exhibited globally for decades on many of the most celebrated platforms, including the Venice Biennale, Documenta, and a commission for the Tate Modern’s Turbine Hall. Exploring the interplay of the human body, experience, and memory through installations that challenge our negotiation of space, Balka’s work can seem at once uninviting and opaque, yet familiar and compelling.

Balka is currently featured in a solo exhibition Random Access Memory at White Cube’s Mason’s Yard location in London, through March 9, 2019. For this video, Sarah Bejerano from White Cube discusses the disorienting appeal of the walls that make up part of the exhibition.

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VAULT: Philip Guston Biopic Trailer (1981)

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STUDIOS: Joep van Lieshout on Going Beyond Beautiful Design

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STUDIOS: Peter Beard: “Nature is the best thing we’ve got”

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STUDIOS: Ursula von Rydingsvard’s Material Instinct (2000)

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STUDIOS: Billy Childish Gets Out of the Way of the Picture

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PODCAST: ‘Barbara London Calling’ Launches Season 2

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LONGFORM: Hughie O’Donoghue in Conversation with Charles Saumarez Smith

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COMMUNITY: William Eric Brown Applies New Processes to Old

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PODCAST: Heidi Zuckerman in Conversation with Adam Pendleton

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LONGFORM: ‘To Cast Too Bold a Shadow’ Exhibition Walkthrough

Market

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MARKET: For Kimsooja, Immaterial Art Achieves Memory

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MARKET: How Christie’s and Sotheby’s Dominate the Art Market

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MARKET: Ghada Amer on Being a Woman Artist

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