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“Iwan Wirth was not interfering much in that, except he said, ‘I want a bar!’” —Björn Roth

One of the most incredible, little-known art installations in Basel is Dieter Roth’s (b. 1930, Hannover, Germany; d. 1998, Basel, Switzerland) Selbstturm; Löwenturm [self-tower; lion-tower] (1969-1998), in Roth’s former studio adjacent to the Kunstmuseum. Acquired as a work-in-progress by the Emanuel Hoffmann Foundation in 1989, the work is now left in the state at which it existed on Roth’s death in 1998, consisting of two towers of self-portrait heads and lions heads, cast in chocolate and sugar. The Schaulager offers tours of the preserved studio with the works in situ for four people, once per month. Unfortunately, you missed the June tour.

On the opening of its late, great, former Roxy nightclub exhibition space in 2013, Hauser & Wirth enlisted Dieter Roth’s son Björn Roth to install a massive retrospective of his late father’s work. The exhibition, of course, left us with the Roth Bar, and also included recreations of the Selbstturm and Löwenturm. For this video from Hauser & Wirth, Björn talks us through the process of conceiving and executing the exhibition, along with an unprecedented behind-the-scenes view of its building and installation.

Museums

Sponsor
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Galleries

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GALLERIES: Alec Soth Takes the Measure of Photography

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LONGFORM: Sheila Hicks Reflects From Home in Paris

Studios

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VAULT: Philip Guston Biopic Trailer (1981)

3:32

STUDIOS: Joep van Lieshout on Going Beyond Beautiful Design

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STUDIOS: Peter Beard: “Nature is the best thing we’ve got”

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STUDIOS: Ursula von Rydingsvard’s Material Instinct (2000)

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STUDIOS: Billy Childish Gets Out of the Way of the Picture

Community

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PODCAST: ‘Barbara London Calling’ Launches Season 2

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LONGFORM: Hughie O’Donoghue in Conversation with Charles Saumarez Smith

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COMMUNITY: William Eric Brown Applies New Processes to Old

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PODCAST: Heidi Zuckerman in Conversation with Adam Pendleton

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LONGFORM: ‘To Cast Too Bold a Shadow’ Exhibition Walkthrough

Market

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MARKET: For Kimsooja, Immaterial Art Achieves Memory

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MARKET: How Christie’s and Sotheby’s Dominate the Art Market

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MARKET: Ghada Amer on Being a Woman Artist

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MARKET: Catherine Petitgas is an Enabler

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MARKET: Kunsthalle Basel Is of Its Time