Subscribe to our newsletter

Subscribe to receive videos daily, and for news and events.

“A critical function of public funding for the arts is the spotlight it shines on lesser heard and minority voices. […] The American rich are disproportionately male and white, and so are those who benefit from the art market. If we leave our cultural future in the hands of the wealthy, we’ll no doubt have a cultural future shaped and determined by their interests. Art created by market forces ultimately tends to serve those forces, and not the public.” —Sarah Green

With Sarah Green laying the disclaimers on thick at the beginning of this video for The Art Assignment, you know it’s going to be interesting. From the Sacklers to Kanders, and from the White House to the state house, the funding of art and art museums is very much on everyone’s mind these days. In this outstanding overview of the history, purposes, reach, and international comparison of public arts funding in the United States, Green gets to the heart of what it would mean to remove public funding of the arts. She also trots out some figures reflecting what an outstanding return on investment the arts are for public funding. And in fine Sarah Green fashion, she even sneaks in a Hunger Games reference during this spirited – and enlightened – defense of public funding for the arts.

On The Art Assignment’s recommendation, we would also recommend the companion to this piece, Why Does the Government Pay for Art? from PBS’s The Origin of Everything, with Danielle Bainbridge.

Museums

Sponsor
8:04

MUSEUMS: Sarah Oppenheimer: Sensitive Machine

5:24

MUSEUMS: For Walter J. Hood, Architecture Means Power

4:28

MUSEUMS: Fabric Workshop and Museum Explores Clay and Fabric

8:08

MUSEUMS: Julie Mehretu Behind-the-Scenes With Checkerboard Films

2:09

MUSEUMS: Alice Neel Paints Life “Hot off the Griddle”

Galleries

5:24

GALLERIES: Alec Soth Takes the Measure of Photography

6:09

GALLERIES: Pablo Picasso: Seven Decades of Drawing

3:41

GALLERIES: For Landon Metz, Failure is an Option

4:17

GALLERIES: Jacob El Hanani Is a Line-Maker

1:09:20

LONGFORM: Sheila Hicks Reflects From Home in Paris

Studios

1:53

VAULT: Philip Guston Biopic Trailer (1981)

3:32

STUDIOS: Joep van Lieshout on Going Beyond Beautiful Design

5:02

STUDIOS: Peter Beard: “Nature is the best thing we’ve got”

10:34

STUDIOS: Ursula von Rydingsvard’s Material Instinct (2000)

3:00

STUDIOS: Billy Childish Gets Out of the Way of the Picture

Community

36:17

PODCAST: ‘Barbara London Calling’ Launches Season 2

Sponsor
47:07

LONGFORM: Hughie O’Donoghue in Conversation with Charles Saumarez Smith

3:31

COMMUNITY: William Eric Brown Applies New Processes to Old

58:08

PODCAST: Heidi Zuckerman in Conversation with Adam Pendleton

22:57

LONGFORM: ‘To Cast Too Bold a Shadow’ Exhibition Walkthrough

Market

3:39

MARKET: For Kimsooja, Immaterial Art Achieves Memory

15:35

MARKET: How Christie’s and Sotheby’s Dominate the Art Market

3:00

MARKET: Ghada Amer on Being a Woman Artist

4:37

MARKET: Catherine Petitgas is an Enabler

2:34

MARKET: Kunsthalle Basel Is of Its Time