Subscribe to our newsletter

Subscribe to receive videos daily, and for news and events.

Vatnajökull is a series of photographs that I made in Iceland and was originally inspired by the fierce nature of the landscape in Iceland. Having its volcanic core, it’s such a dramatic space, that I took some of that drama and brought it into the darkroom.” — Matthew Brandt

Photographer Matthew Brandt is known for his experimental techniques that often combine the physical and contextual elements of his work into the process. His fifth solo exhibition, Vatnajökull at M+B in Los Angeles, has been closed due to COVID-19 restrictions. In this studio visit video released by M+B, Brandt talks about the process of creating this new body of work, and how he found inspiration for it in the rugged landscape of Iceland.

From M+B:

M+B is pleased to announce Vatnajökull, Matthew Brandt’s fifth solo exhibition at the gallery. The show marks the debut of a new series which takes on the glacial terrain in Iceland as its subject. This new body of work extends the artist’s on-going interest in the chemical color process and is his third to explore chromogenic material with natural elements.

Matthew Brandt’s photographic practice is relentlessly experimental, even as he remains committed to traditional modes of picture-making. The artist’s unorthodox treatments and use of materials both dismantle and celebrate the classic genre of landscape photography, with his interventions inviting the viewer to develop a deeper relationship with the subject and the photograph.

In Vatnajökull, Brandt captures the powerful geothermal intensities of Iceland’s wilderness. He exposes his photographs of the Vatna ice field to fire and heat, and then through color-separation creates a range of tonalities across multiple impressions of a single image. With their blistered and undulating surfaces, each photograph emerges with its own topography. For the viewer, the act of looking becomes a haptic, multi-sensorial experience, tactile and pulsing. In bridging subject with material, Brandt enlists the senses to make meaning of the rugged, majestic landscape.

Museums

Sponsor
8:04

MUSEUMS: Sarah Oppenheimer: Sensitive Machine

5:24

MUSEUMS: For Walter J. Hood, Architecture Means Power

4:28

MUSEUMS: Fabric Workshop and Museum Explores Clay and Fabric

8:08

MUSEUMS: Julie Mehretu Behind-the-Scenes With Checkerboard Films

2:09

MUSEUMS: Alice Neel Paints Life “Hot off the Griddle”

Galleries

5:24

GALLERIES: Alec Soth Takes the Measure of Photography

6:09

GALLERIES: Pablo Picasso: Seven Decades of Drawing

3:41

GALLERIES: For Landon Metz, Failure is an Option

4:17

GALLERIES: Jacob El Hanani Is a Line-Maker

1:09:20

LONGFORM: Sheila Hicks Reflects From Home in Paris

Studios

1:53

VAULT: Philip Guston Biopic Trailer (1981)

3:32

STUDIOS: Joep van Lieshout on Going Beyond Beautiful Design

5:02

STUDIOS: Peter Beard: “Nature is the best thing we’ve got”

10:34

STUDIOS: Ursula von Rydingsvard’s Material Instinct (2000)

3:00

STUDIOS: Billy Childish Gets Out of the Way of the Picture

Community

36:17

PODCAST: ‘Barbara London Calling’ Launches Season 2

Sponsor
47:07

LONGFORM: Hughie O’Donoghue in Conversation with Charles Saumarez Smith

3:31

COMMUNITY: William Eric Brown Applies New Processes to Old

58:08

PODCAST: Heidi Zuckerman in Conversation with Adam Pendleton

22:57

LONGFORM: ‘To Cast Too Bold a Shadow’ Exhibition Walkthrough

Market

3:39

MARKET: For Kimsooja, Immaterial Art Achieves Memory

15:35

MARKET: How Christie’s and Sotheby’s Dominate the Art Market

3:00

MARKET: Ghada Amer on Being a Woman Artist

4:37

MARKET: Catherine Petitgas is an Enabler

2:34

MARKET: Kunsthalle Basel Is of Its Time