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“I was really out of step with the art world for a very very long time. I had a different set of values. I did not believe in destroying the earth in order to make art. I believed in trying to bring my aesthetic into the environment and share it, rather than impose it on anybody or anything.” —Judy Chicago

Judy Chicago (b. 1939, Chicago) is a favorite around here at Daily Plinth HQ, and we were pretty excited to catch her fantastic retrospective at the Institute of Contemporary Art, Miami, A Reckoning, that opened during Miami Art Week in December (through April 21, 2019). Chicago is an artist, author, feminist, educator, and intellectual whose career spans over five decades. Her influence both within and beyond the art world is attested to by her inclusion in hundreds of publications throughout the world, and her art has been frequently exhibited in the US and throughout the world. In addition, a number of the books she has authored have been published in foreign editions, bringing her art and philosophy to readers worldwide.

Unfortunately, we were not able to catch the performance of her newest smoke work A Purple Poem for Miami, (2019), which she performed in Miami on February 23, 2019. So we can think of no better way to start off our Women’s History Month programming than with this video from the ICA, in which Chicago talks about the history and inspiration for her smoke works, walks us through the Miami installation, and shares a few choice words for some of her male contemporaries in land and installation art.

Museums

Sponsor
8:04

MUSEUMS: Sarah Oppenheimer: Sensitive Machine

5:24

MUSEUMS: For Walter J. Hood, Architecture Means Power

4:28

MUSEUMS: Fabric Workshop and Museum Explores Clay and Fabric

8:08

MUSEUMS: Julie Mehretu Behind-the-Scenes With Checkerboard Films

2:09

MUSEUMS: Alice Neel Paints Life “Hot off the Griddle”

Galleries

5:24

GALLERIES: Alec Soth Takes the Measure of Photography

6:09

GALLERIES: Pablo Picasso: Seven Decades of Drawing

3:41

GALLERIES: For Landon Metz, Failure is an Option

4:17

GALLERIES: Jacob El Hanani Is a Line-Maker

1:09:20

LONGFORM: Sheila Hicks Reflects From Home in Paris

Studios

1:53

VAULT: Philip Guston Biopic Trailer (1981)

3:32

STUDIOS: Joep van Lieshout on Going Beyond Beautiful Design

5:02

STUDIOS: Peter Beard: “Nature is the best thing we’ve got”

10:34

STUDIOS: Ursula von Rydingsvard’s Material Instinct (2000)

3:00

STUDIOS: Billy Childish Gets Out of the Way of the Picture

Community

36:17

PODCAST: ‘Barbara London Calling’ Launches Season 2

Sponsor
47:07

LONGFORM: Hughie O’Donoghue in Conversation with Charles Saumarez Smith

3:31

COMMUNITY: William Eric Brown Applies New Processes to Old

58:08

PODCAST: Heidi Zuckerman in Conversation with Adam Pendleton

22:57

LONGFORM: ‘To Cast Too Bold a Shadow’ Exhibition Walkthrough

Market

3:39

MARKET: For Kimsooja, Immaterial Art Achieves Memory

15:35

MARKET: How Christie’s and Sotheby’s Dominate the Art Market

3:00

MARKET: Ghada Amer on Being a Woman Artist

4:37

MARKET: Catherine Petitgas is an Enabler

2:34

MARKET: Kunsthalle Basel Is of Its Time