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“Humor has been a guiding principle of all my work, even before this video project – the Hennessey project. Humor, music, and writing, these are my bases. I think Hennessey was just a byproduct of using those tools.” — Jayson Musson

It was recently announced that the Fabric Workshop and Museum in Philadelphia received a significant grant from The Pew Center for Arts & Heritage in support of His History of Art, an interdisciplinary project by contemporary artist Jayson Musson. The project, a new miniseries complete with newly designed sets positioned as installations at the museum, is designed as a two-year residency that will culminate as an exhibition opening in April 2022.

In 2012, Musson sat down with the now-defunct Life+Times magazine – a project of rapper and business, man, Jay-Z – to discuss the importance of humor to his work.

From The Fabric Workshop and Museum:

Investigating the ways in which popular art historical images impact our cultural consciousness, His History of Art will explore the key question: In what ways can humor address inequality in the arts? “With Jayson as an Artist-in-Residence with FWM, I wanted to showcase Philadelphia and the incredible work that happens here,” says FWM Curator Karen Patterson. “I’m excited to work alongside Jayson to learn the ways in which his research acumen and disarming sense of humor can help us uncover truths about inherent inequities in the field of art history.”

“Good humor always moves toward truth,” Musson explains. “This exposure of truth is what causes a joke to resonate with a listener and connect with their often-unspoken experiences and feelings. Jokes uncover, jokes expose, jokes bring into the light things which are oft buried by individuals and a society. Comedy’s propensity to dig up skeletons and parade them in front of an audience with little regard for consequence or moral constraint is one of the main reasons it has been a useful tool in exposing inequality and grand social failings.”

Museums

Sponsor
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MUSEUMS: Sarah Oppenheimer: Sensitive Machine

5:24

MUSEUMS: For Walter J. Hood, Architecture Means Power

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MUSEUMS: Fabric Workshop and Museum Explores Clay and Fabric

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MUSEUMS: Julie Mehretu Behind-the-Scenes With Checkerboard Films

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MUSEUMS: Alice Neel Paints Life “Hot off the Griddle”

Galleries

5:24

GALLERIES: Alec Soth Takes the Measure of Photography

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GALLERIES: Pablo Picasso: Seven Decades of Drawing

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GALLERIES: For Landon Metz, Failure is an Option

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GALLERIES: Jacob El Hanani Is a Line-Maker

1:09:20

LONGFORM: Sheila Hicks Reflects From Home in Paris

Studios

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VAULT: Philip Guston Biopic Trailer (1981)

3:32

STUDIOS: Joep van Lieshout on Going Beyond Beautiful Design

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STUDIOS: Peter Beard: “Nature is the best thing we’ve got”

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STUDIOS: Ursula von Rydingsvard’s Material Instinct (2000)

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STUDIOS: Billy Childish Gets Out of the Way of the Picture

Community

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PODCAST: ‘Barbara London Calling’ Launches Season 2

Sponsor
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LONGFORM: Hughie O’Donoghue in Conversation with Charles Saumarez Smith

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COMMUNITY: William Eric Brown Applies New Processes to Old

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PODCAST: Heidi Zuckerman in Conversation with Adam Pendleton

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LONGFORM: ‘To Cast Too Bold a Shadow’ Exhibition Walkthrough

Market

3:39

MARKET: For Kimsooja, Immaterial Art Achieves Memory

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MARKET: How Christie’s and Sotheby’s Dominate the Art Market

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MARKET: Ghada Amer on Being a Woman Artist

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MARKET: Catherine Petitgas is an Enabler

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MARKET: Kunsthalle Basel Is of Its Time