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“The truth I wanted to speak about is the ways in which I have felt invited into spaces, and the ways in which I’m trying and attempting to radically invite people into my space. A space that is rarified, but not only class, but cultural literacy, and a lot of other factors that bar people from entering a theater…” — Jeremy O. Harris

For today’s Black History Month post, we’re going a tiny bit out of our purview to bring you this talk by Jeremy O. Harris at last fall’s Creative Time Summit X. Harris, the playwright of the acclaimed and controversial Slave Play on Broadway, speaks about creating inclusivity in the arts, and “radically inviting” new audiences – lessons that apply across the arts.

From Creative Time:

ABOUT SPEAKING TRUTH | SUMMIT X

Can speaking truth to power unravel the age of disillusion we find ourselves in?

As fierce debates about the nature of truth rage on globally, Speaking Truth | Summit X explores radical truth-telling and its implications, manifestations, potentialities, and challenges across disparate yet interconnected fields.

ABOUT THIS SECTION

Speakers in this section analyze how we can offset the political effects that shape our present condition by re-imagining various forms of institutional, physical, and mental decolonization through empowering fictions and future utopias of togetherness. We address the effects of fiction that are critical in drawing attention to the framing mechanisms of deception and explore how art and culture have the capacity to experiment with strategies of deception and fiction that catalyze change.

ABOUT JEREMY O. HARRIS

“Being a black body in the world makes you feel kind of insane. You feel like you always want to laugh and you always don’t.”

Jeremy O. Harris is a writer and performer who combines contemporary art, popular music, and theory into provocative theater. His full-length plays include Slave Play, “Daddy”, Xander Xyst, Dragon:1, and WATER SPORTS; or insignificant white boys. He is the 11th recipient of the Vineyard Theatre’s Paula Vogel Playwrighting Award, a 2016 MacDowell Colony Fellow, an Orchard Project Greenhouse artist, a resident playwright with Colt Coeur, and is under commission from Lincoln Center Theater and Playwrights Horizons.

Museums

Sponsor
8:04

MUSEUMS: Sarah Oppenheimer: Sensitive Machine

5:24

MUSEUMS: For Walter J. Hood, Architecture Means Power

4:28

MUSEUMS: Fabric Workshop and Museum Explores Clay and Fabric

8:08

MUSEUMS: Julie Mehretu Behind-the-Scenes With Checkerboard Films

2:09

MUSEUMS: Alice Neel Paints Life “Hot off the Griddle”

Galleries

5:24

GALLERIES: Alec Soth Takes the Measure of Photography

6:09

GALLERIES: Pablo Picasso: Seven Decades of Drawing

3:41

GALLERIES: For Landon Metz, Failure is an Option

4:17

GALLERIES: Jacob El Hanani Is a Line-Maker

1:09:20

LONGFORM: Sheila Hicks Reflects From Home in Paris

Studios

1:53

VAULT: Philip Guston Biopic Trailer (1981)

3:32

STUDIOS: Joep van Lieshout on Going Beyond Beautiful Design

5:02

STUDIOS: Peter Beard: “Nature is the best thing we’ve got”

10:34

STUDIOS: Ursula von Rydingsvard’s Material Instinct (2000)

3:00

STUDIOS: Billy Childish Gets Out of the Way of the Picture

Community

36:17

PODCAST: ‘Barbara London Calling’ Launches Season 2

Sponsor
47:07

LONGFORM: Hughie O’Donoghue in Conversation with Charles Saumarez Smith

3:31

COMMUNITY: William Eric Brown Applies New Processes to Old

58:08

PODCAST: Heidi Zuckerman in Conversation with Adam Pendleton

22:57

LONGFORM: ‘To Cast Too Bold a Shadow’ Exhibition Walkthrough

Market

3:39

MARKET: For Kimsooja, Immaterial Art Achieves Memory

15:35

MARKET: How Christie’s and Sotheby’s Dominate the Art Market

3:00

MARKET: Ghada Amer on Being a Woman Artist

4:37

MARKET: Catherine Petitgas is an Enabler

2:34

MARKET: Kunsthalle Basel Is of Its Time