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“I believe that the purpose of architecture is not simply to create a man–made environment. I wanted to create something that has humans as an element in nature” — Junya Ishigami

After Christo’s incredible The London Mastaba, Serpentine Lake, Hyde Park 2016 – 2018 seemed to garner all the attention in the summer of 2018 in London, one could be forgiven for the Serpentine’s annual pavilion commission to slip out of mind. We didn’t forget it! This year’s Serpentine Pavilion commission was awarded to the acclaimed young Japanese architect Junya Ishigami (b. 1974, Kanagawa Prefecture, Japan). Known for work that integrates humans and the natural world in ways that transcend international borders, Ishigami was the winner of the Golden Lion award at the Venice Biennale of Architecture in 2010 and was the subject of a critically acclaimed solo exhibition at the Fondation Cartier in 2018. He is the nineteenth architect to accept the invitation to design a temporary Pavilion on the Serpentine Gallery’s lawn in Kensington Gardens. The pavilion, on view until October 6, 2019, “bring[s] to mind a blackbird flying in a rainy London sky” says the architect of the undulating slate roof on lightweight supports. In this video from the Serpentine, Ishigami talks about his approach to his architecture practice and the process behind his pavilion commission.

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LONGFORM: Sheila Hicks Reflects From Home in Paris

Studios

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VAULT: Philip Guston Biopic Trailer (1981)

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STUDIOS: Joep van Lieshout on Going Beyond Beautiful Design

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STUDIOS: Peter Beard: “Nature is the best thing we’ve got”

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STUDIOS: Ursula von Rydingsvard’s Material Instinct (2000)

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STUDIOS: Billy Childish Gets Out of the Way of the Picture

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PODCAST: ‘Barbara London Calling’ Launches Season 2

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LONGFORM: Hughie O’Donoghue in Conversation with Charles Saumarez Smith

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COMMUNITY: William Eric Brown Applies New Processes to Old

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PODCAST: Heidi Zuckerman in Conversation with Adam Pendleton

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LONGFORM: ‘To Cast Too Bold a Shadow’ Exhibition Walkthrough

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MARKET: For Kimsooja, Immaterial Art Achieves Memory

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MARKET: How Christie’s and Sotheby’s Dominate the Art Market

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MARKET: Ghada Amer on Being a Woman Artist

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