Subscribe to our newsletter

Subscribe to receive videos daily, and for news and events.

“The flower and the jewel imagery are associated with wisdom, with liberating practices such as meditation and recitation of mantras. And I’m deliberately juxtaposing and merging the organic and the metric. The metric is also an attempt to make visible the invisible workings of nature.” — Tom Wudl

Artist Tom Wudl has exhibited at the legendary Venice, California gallery L.A. Louver for nearly 40 years. His most recent exhibition The Flowerbank World, however, has been closed prematurely due to the COVID-19 pandemic. In this exhibition trailer from L.A. Louver, we visit Wudl in his studio as he prepares works for the show, and we see shots of the installation.

From L.A. Louver:

Over the past two decades, Wudl has taken inspiration from the revered Buddhist text, the Avatamsaka Sutra (The Flower Ornament Scripture), to create an ongoing series of painstakingly detailed paintings, drawings and prints made in response to the text’s evocative and profound literary descriptions. Considered “the most colorful and dramatic rehearsals of Buddhist teachings,” the Avatamsaka Sutra is believed to be one of the earliest discourses by the Buddha. […]

Although inspired by Buddhist principles, the works themselves are not intended to be sacred icons. As a devotee of Buddhism, spirituality has remained at the core of his artistic output; and as a life-long student of Art and Art History, Wudl’s admiration for artists that have embraced the sacred in their work, has encouraged his own artistic pursuits. As a part of this exhibition, a selection of works by these formative “spiritually motivated” artists are presented in conversation with works by Wudl, from Wassily Kandinsky and Agnes Martin, to the Australian Aboriginal artist John Mawurndjul and a 19th century Tibetan Mandala painting. “It is my belief that art has a sacred function,” says Wudl. “The necessity for art is so elemental that it preceded the invention of writing. Art was invented to make the sacred visible by giving form to silent invisible processes that facilitate the unfolding of life.”

Museums

Sponsor
8:04

MUSEUMS: Sarah Oppenheimer: Sensitive Machine

5:24

MUSEUMS: For Walter J. Hood, Architecture Means Power

4:28

MUSEUMS: Fabric Workshop and Museum Explores Clay and Fabric

8:08

MUSEUMS: Julie Mehretu Behind-the-Scenes With Checkerboard Films

2:09

MUSEUMS: Alice Neel Paints Life “Hot off the Griddle”

Galleries

5:24

GALLERIES: Alec Soth Takes the Measure of Photography

6:09

GALLERIES: Pablo Picasso: Seven Decades of Drawing

3:41

GALLERIES: For Landon Metz, Failure is an Option

4:17

GALLERIES: Jacob El Hanani Is a Line-Maker

1:09:20

LONGFORM: Sheila Hicks Reflects From Home in Paris

Studios

1:53

VAULT: Philip Guston Biopic Trailer (1981)

3:32

STUDIOS: Joep van Lieshout on Going Beyond Beautiful Design

5:02

STUDIOS: Peter Beard: “Nature is the best thing we’ve got”

10:34

STUDIOS: Ursula von Rydingsvard’s Material Instinct (2000)

3:00

STUDIOS: Billy Childish Gets Out of the Way of the Picture

Community

36:17

PODCAST: ‘Barbara London Calling’ Launches Season 2

Sponsor
47:07

LONGFORM: Hughie O’Donoghue in Conversation with Charles Saumarez Smith

3:31

COMMUNITY: William Eric Brown Applies New Processes to Old

58:08

PODCAST: Heidi Zuckerman in Conversation with Adam Pendleton

22:57

LONGFORM: ‘To Cast Too Bold a Shadow’ Exhibition Walkthrough

Market

3:39

MARKET: For Kimsooja, Immaterial Art Achieves Memory

15:35

MARKET: How Christie’s and Sotheby’s Dominate the Art Market

3:00

MARKET: Ghada Amer on Being a Woman Artist

4:37

MARKET: Catherine Petitgas is an Enabler

2:34

MARKET: Kunsthalle Basel Is of Its Time