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“I figure take the measure of the human being as a kind of index for the scale of the work, rather than the size of the surrounding architecture. And really use the entire backdrop of the sky and the landscape behind as a sort of a screen or something that you could see a view through, and sort-of work as a drawing in space that would change as you walked around it.” —Martin Puryear

Martin Puryear (b. 1941, Washington, DC) is no stranger to working on a monumental scale that serves to highlight not just our own scale as humans, but that also serves to foreground our strengths and frailties, and our ambitions and hidden stories. For this unique and influential visual language, Puryear was selected to represent the United States at the 58th Venice Biennale. Puryear’s installation Liberty/Libertà is presented in this edition by the Madison Square Park Conservancy, commissioned and curated by Brooke Kamin Rapaport.

In 1999, Puryear was commissioned by the Getty Museum to install a large public sculpture on the Getty Center’s tram arrival plaza, That Profile (1999). In this video from the Getty, Puryear speaks about the commission – no doubt also shedding light on his commission for the American Pavilion – and we see fantastic behind-the-scenes shots of the fabrication, moving, and installation of the sculpture.

Museums

Sponsor
8:04

MUSEUMS: Sarah Oppenheimer: Sensitive Machine

5:24

MUSEUMS: For Walter J. Hood, Architecture Means Power

4:28

MUSEUMS: Fabric Workshop and Museum Explores Clay and Fabric

8:08

MUSEUMS: Julie Mehretu Behind-the-Scenes With Checkerboard Films

2:09

MUSEUMS: Alice Neel Paints Life “Hot off the Griddle”

Galleries

5:24

GALLERIES: Alec Soth Takes the Measure of Photography

6:09

GALLERIES: Pablo Picasso: Seven Decades of Drawing

3:41

GALLERIES: For Landon Metz, Failure is an Option

4:17

GALLERIES: Jacob El Hanani Is a Line-Maker

1:09:20

LONGFORM: Sheila Hicks Reflects From Home in Paris

Studios

1:53

VAULT: Philip Guston Biopic Trailer (1981)

3:32

STUDIOS: Joep van Lieshout on Going Beyond Beautiful Design

5:02

STUDIOS: Peter Beard: “Nature is the best thing we’ve got”

10:34

STUDIOS: Ursula von Rydingsvard’s Material Instinct (2000)

3:00

STUDIOS: Billy Childish Gets Out of the Way of the Picture

Community

36:17

PODCAST: ‘Barbara London Calling’ Launches Season 2

Sponsor
47:07

LONGFORM: Hughie O’Donoghue in Conversation with Charles Saumarez Smith

3:31

COMMUNITY: William Eric Brown Applies New Processes to Old

58:08

PODCAST: Heidi Zuckerman in Conversation with Adam Pendleton

22:57

LONGFORM: ‘To Cast Too Bold a Shadow’ Exhibition Walkthrough

Market

3:39

MARKET: For Kimsooja, Immaterial Art Achieves Memory

15:35

MARKET: How Christie’s and Sotheby’s Dominate the Art Market

3:00

MARKET: Ghada Amer on Being a Woman Artist

4:37

MARKET: Catherine Petitgas is an Enabler

2:34

MARKET: Kunsthalle Basel Is of Its Time