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“When you have cancer, you’re supposed to die. With modern technology, you’re basically being resurrected. When I was a kid, I had cancer, and when I was in the hospital, I played Final Fantasy. Those were my escapisms during such a deep period of trauma, I can see that being my natural lexicon as a creator. Maybe I’ve been skeptical of my own mortality my whole life, and I’ve been making things to make myself witness these objects and say that I’m still here.” — Jacolby Satterwhite

As part of our ongoing Black History Month programming, today we are sharing the work of the young artist Jacolby Satterwhite (b. 1986, Columbia, South Carolina), who works in a heady and vibrant mix of art and technology, combining elements of 3D animation, performance, sculpture, and installation. Coming off of two highly acclaimed exhibitions this past winter – Room for Living at The Fabric Workshop and Museum in Philadelphia, and You’re at home at Pioneer Works in Brooklyn – Satterwhite was recently the focus of Art21’s New York Close Up series.

From Art21:

Satterwhite’s videos, sculptures, and 3D animations draw from the visual language of video games and digital technology to create vibrant, swirling worlds that are densely populated with dancing figures, fantastical vehicles, and everyday consumer products. Shown installing his exhibition You’re at home at Pioneer Works, Satterwhite discusses how his solo process has grown dramatically in scale and evolved to include the production of a music album. Inspired by his mother’s own amateur songwriting, the album is performed and installed alongside his sculptures and video work in the exhibition. You’re at home, along with his simultaneous show at the Fabric Workshop and Museum, mark the artist’s largest and most ambitious exhibitions to date. While the scope of these shows has allowed Satterwhite to open up his process to a team of collaborators, the resulting work remains deeply personal and meticulously realized. “Art became a form of escapism for me to reroute my personal traumas. But now I think I’m trying to pursue something more present… and trying to get to the core of who I am.”

Museums

Sponsor
8:04

MUSEUMS: Sarah Oppenheimer: Sensitive Machine

5:24

MUSEUMS: For Walter J. Hood, Architecture Means Power

4:28

MUSEUMS: Fabric Workshop and Museum Explores Clay and Fabric

8:08

MUSEUMS: Julie Mehretu Behind-the-Scenes With Checkerboard Films

2:09

MUSEUMS: Alice Neel Paints Life “Hot off the Griddle”

Galleries

5:24

GALLERIES: Alec Soth Takes the Measure of Photography

6:09

GALLERIES: Pablo Picasso: Seven Decades of Drawing

3:41

GALLERIES: For Landon Metz, Failure is an Option

4:17

GALLERIES: Jacob El Hanani Is a Line-Maker

1:09:20

LONGFORM: Sheila Hicks Reflects From Home in Paris

Studios

1:53

VAULT: Philip Guston Biopic Trailer (1981)

3:32

STUDIOS: Joep van Lieshout on Going Beyond Beautiful Design

5:02

STUDIOS: Peter Beard: “Nature is the best thing we’ve got”

10:34

STUDIOS: Ursula von Rydingsvard’s Material Instinct (2000)

3:00

STUDIOS: Billy Childish Gets Out of the Way of the Picture

Community

36:17

PODCAST: ‘Barbara London Calling’ Launches Season 2

Sponsor
47:07

LONGFORM: Hughie O’Donoghue in Conversation with Charles Saumarez Smith

3:31

COMMUNITY: William Eric Brown Applies New Processes to Old

58:08

PODCAST: Heidi Zuckerman in Conversation with Adam Pendleton

22:57

LONGFORM: ‘To Cast Too Bold a Shadow’ Exhibition Walkthrough

Market

3:39

MARKET: For Kimsooja, Immaterial Art Achieves Memory

15:35

MARKET: How Christie’s and Sotheby’s Dominate the Art Market

3:00

MARKET: Ghada Amer on Being a Woman Artist

4:37

MARKET: Catherine Petitgas is an Enabler

2:34

MARKET: Kunsthalle Basel Is of Its Time