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“You become more aware about the influence that you have within the world and somehow also of how many of the actions that are being produced today are so harmful for the majority of the people who live on this planet Earth. Nonhumans or maybe also humans, right? There are so many ecosystems that coexist with us and we’re kind of becoming more aware of that really kind of entangled relationship that we have with other species. We could maybe rethink what is happening to planet Earth. ” — Tomás Saraceno

Last fall Berlin-based artist Tomás Saraceno (b. 1973, Argentina) was featured in a solo exhibition at Esther Schipper gallery in Berlin, Algo-r(h)i(y)thms, inspired by the activist artist’s arachnophilia. Our friends at Berlin Art Link chatted with him in his studio and at the exhibition.

From Berlin Art Link:

Since 2006, Saraceno has been engaged in arachnid research from the perspective of the web. This work is an exploration of the webs’ and spiders’ behaviour and it materializes in the spider/web archive.

[…] The space at Esther Schipper gallery was transformed into a web-like landscape of nets containing 3.4 kilometres of black cord. The exhibition explored the behaviours of the web-building spider, which is essentially blind and creates an image of the world through the tremors it sends and receives through the web. The web is thus considered a material extension of the spider’s own senses, and—some argue—of its mind. Saraceno’s work, more generally, invites us to rethink the future of our planet from an interspecies perspective.

Museums

Sponsor
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MUSEUMS: Sarah Oppenheimer: Sensitive Machine

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MUSEUMS: For Walter J. Hood, Architecture Means Power

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MUSEUMS: Fabric Workshop and Museum Explores Clay and Fabric

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MUSEUMS: Julie Mehretu Behind-the-Scenes With Checkerboard Films

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MUSEUMS: Alice Neel Paints Life “Hot off the Griddle”

Galleries

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GALLERIES: Alec Soth Takes the Measure of Photography

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GALLERIES: Pablo Picasso: Seven Decades of Drawing

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GALLERIES: For Landon Metz, Failure is an Option

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GALLERIES: Jacob El Hanani Is a Line-Maker

1:09:20

LONGFORM: Sheila Hicks Reflects From Home in Paris

Studios

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VAULT: Philip Guston Biopic Trailer (1981)

3:32

STUDIOS: Joep van Lieshout on Going Beyond Beautiful Design

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STUDIOS: Peter Beard: “Nature is the best thing we’ve got”

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STUDIOS: Ursula von Rydingsvard’s Material Instinct (2000)

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STUDIOS: Billy Childish Gets Out of the Way of the Picture

Community

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PODCAST: ‘Barbara London Calling’ Launches Season 2

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LONGFORM: Hughie O’Donoghue in Conversation with Charles Saumarez Smith

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COMMUNITY: William Eric Brown Applies New Processes to Old

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PODCAST: Heidi Zuckerman in Conversation with Adam Pendleton

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LONGFORM: ‘To Cast Too Bold a Shadow’ Exhibition Walkthrough

Market

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MARKET: For Kimsooja, Immaterial Art Achieves Memory

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MARKET: How Christie’s and Sotheby’s Dominate the Art Market

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MARKET: Ghada Amer on Being a Woman Artist

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MARKET: Catherine Petitgas is an Enabler

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MARKET: Kunsthalle Basel Is of Its Time