LONGFORM: Hughie O’Donoghue in Conversation with Charles Saumarez Smith
Southern & Partners
LONGFORM: Sheila Hicks Reflects From Home in Paris
Friedman Benda
LONGFORM: Random International Brings Humanism to Digital Reality
Friedman Benda
LONGFORM: Alice Stori Liechtenstein on Blending (Really) Old and New
Friedman Benda
LONGFORM: Mark Bradford Pandemic Oral History Project
Archives of American Art, Smithsonian Institution
LONGFORM: Amie Siegel Is Interested in Us
Friedman Benda
LONGFORM: Carla Fernandez & Pedro Reyes on Collaboration and Preservation
Friedman Benda
LONGFORM: Daniel Arsham on His Time in Quarantine
Friedman Benda
MUSEUMS: Erin Johnson, ‘Unnamed for Decades’
Center for Maine Contemporary Art
LONGFORM: Jaume Plensa With a Message of Hope
Galerie Lelong
LONGFORM: Wayne Thiebaud Conversation on Painting Mountains
Acquavella Galleries
LONGFORM: David Claerbout on Virtual Image-Making
Louisiana Channel
LONGFORM: Barbara Takenaga on the Path of Painting
DC Moore Gallery
VAULT: Louise Nevelson Becomes Free (1977)
The Metropolitan Museum of Art
LONGFORM: Romare Bearden Can Go Next to the Rothko
DC Moore Gallery
ARTISTS: Corita Kent and Her Rules for Art and Life
The Art Assignment
MUSEUMS: Checking in on Raphael
The National Gallery, London
MARKET: How Christie’s and Sotheby’s Dominate the Art Market
CNBC
LONGFORM: Jeremy O. Harris on Creating Inclusivity in the Arts
Creative Time
LONGFORM: Can Art Make Us Better Humans?
Bloomberg Art+Technology
LONGFORM: ‘Eternity’s Sunrise: The Life of Carmen Cicero’
Codi Barbini
LONGFORM: Sanford Biggers Challenges Historical Amnesia
The "C" Files with Maria Brito on All Arts
LONGFORM: John Giorno Does Not Like Rules
Louisiana Channel
LONGFORM: Art Inspires Empathy
The Art Assignment
STUDIOS: Richard Prince Does Lots of Different Things (2007)
VICE
LONGFORM: Catherine Opie is Holding On
Los Angeles County Museum of Art
LONGFORM: Asking the Right Questions About Abstract Painting
DC Moore Gallery
LONGFORM: Sally Mann, ‘Abide With Me’
Peabody Essex Museum
LONGFORM: Björn Roth on Dieter Roth
Hauser & Wirth
LONGFORM: On Private Funding of Public Biennials
Art Basel
LONGFORM: Sarah Green on Public Funding for the Arts
The Art Assignment
LONGFORM: For Jannis Kounellis, Art Is Drawing Life
Louisiana Channel
LONGFORM: Keith Haring On the Fence
Haggerty Museum of Art
LONGFORM: Pipilotti Rist Gives Back to Everyone
Bloomberg Brilliant Ideas
LONGFORM: Are Art Fairs Unfair?
Talking Galleries
LONGFORM: Bill Viola Discovers What’s Under the Surface
Louisiana Channel
LONGFORM: Women Artists and Postwar Abstraction
Museum of Modern Art
LONGFORM: Roberta Smith on Painter Elizabeth Murray
Anderson Collection at Stanford University
LONGFORM: Jerry Saltz on the Good, the Bad and the Very Bad
Kent Presents
LONGFORM: Lyle Ashton Harris on Andy Warhol
Dia Art Foundation
LONGFORM: Thelma Golden Pries Open Exhibition–Making
CUNY TV Black America
LONGFORM: Robert Ryman (1930–2019) Made it Look Easy
Art21
LONGFORM: Mark Bradford Makes Space
Bloomberg Brilliant Ideas
LONGFORM: Robert Irwin Answers a Few Questions (1973)
Los Angeles County Museum of Art
LONGFORM: The Sea Ranch Occupies the Cliff
San Francisco Museum of Modern Art
LONGFORM: Jack Whitten – An Artist’s Life
Art21
LONGFORM: Rafael Lozano–Hemmer’s Shutdown Heartbeats
Hirshhorn Museum
LONGFORM: Betty Tompkins Makes You Look
MOMMY
LONGFORM: Blockchain and the Art World Panel Discussion
Art Basel
LONGFORM: The Graffiti Godfathers of Miami
VICE
LONGFORM: Kader Attia Wants to Change the World
Bloomberg – Brilliant Ideas
LONGFORM: Visiting Detroit’s Art Scene
The Art Assignment
LONGFORM: Harvey Quaytman Broke the Mold of Abstraction
BAMPFA
LONGFORM: Ai Weiwei Is Always Ready To Be Involved
Bloomberg – Brilliant Ideas
LONGFORM: Restoring the Tate’s Vandalized Rothko
Tate
LONGFORM: Larry Was Not an Ambitious Child
92nd Street Y
LONGFORM: Shaun Leonardo’s ‘Primitive Games’ as Social Practice
Guggenheim Museum
LONGFORM: Louise Nevelson Interview
Inside New York's Art World
LONGFORM: Hilma af Klint’s Time Has Come
Moderna Museet
LONGFORM: The Unconventional Images and Sounds of Samson Young
Bloomberg – Brilliant Ideas
LONGFORM: Treasures of New York: The Frick Collection
PBS Thirteen
COMMUNITY: Georg Baselitz Interview
Fondation Beyeler
LONGFORM: Ed Ruscha Interview: A Long Way from Oklahoma
Louisiana Channel
LONGFORM: Leo Castelli Interview, 1976
About the Arts
LONGFORM: Marcel Duchamp Interview on Art and Dada (1956)
Manufacturing Intellect
LONGFORM: Milton Resnick Paints a Picture
The Milton Resnick and Pat Passlof Foundation
LONGFORM: Piero Manzoni and his “Artist’s Shit”
The Transgressives
LONGFORM: ‘Frida Kahlo & Tina Modotti’ (1983)
BFI
LONGFORM: Sean Kelly And His Role As a Gallerist
Art Load
LONGFORM: A Conversation with Ellsworth Kelly and Agnes Gund
New York Makers
LONGFORM: Cory Arcangel at Whitechapel Gallery
Lisson Gallery
LONGFORM: Art leaders Network 2018: David Zwirner interview
The New York Times
LONGFORM: Adam Pendleton – Conceptual Artist
School of Visual Arts
LONGFORM: Going Where I’ve Never Been: The Photography of Diane Arbus
John Musilli
LONGFORM: Dan Graham Interview: Recreating Childhood Desires
Louisiana Channel
LONGFORM: “Louise Bourgeois: No Trespassing”
BBC | Arena Pictures
LONGFORM: Artbound: Desert X
KCET
LONGFORM: Joan Jonas Interview: Layers of Time
Louisiana Channel
LONGFORM: Thelma Golden – How art gives shape to cultural change
TED Ed
LONGFORM: Njideka Akunyili Crosby: In Conversation | Tate Talks
Tate
LONGFORM: Carrie Mae Weems – Creative Time Summit DC | Troubled Democracy
Creative Time
LONGFORM: Cecily Brown Interview: Take No Prisoners
Louisiana Channel
LONGFORM: How KAWS Became the Face Of Contemporary Art
COMPLEX
LONGFORM: 11 Artists Interview: First Encounter with Art
Louisiana Channel
COMMUNITY: Public Art Fund at 40: Our Story
Public Art Fund
LONGFORM: A Day in the Life of Andy Warhol
Art Documentaries
LONGFORM: George Condo: The Artist at Work
Louisiana Channel
