MUSEUMS: Ragnar Kjartansson Introduces Sentimentality to Nihilism
The Metropolitan Museum of Art
STUDIOS: Alex Katz Paints the Immediate Present
Tate
MUSEUMS: Sarah Lucas Goes Barmy with Eggs
Hammer Museum
LONGFORM: Asking the Right Questions About Abstract Painting
DC Moore Gallery
STUDIOS: The New York Times Found All the Bob Ross Paintings
The New York Times
MUSEUMS: Pedro y Juana Bring the Jungle into Queens
MoMA PS1
LONGFORM: Sally Mann, ‘Abide With Me’
Peabody Essex Museum
STUDIOS: Simone Leigh Connects the Dots
Guggenheim Museum
MUSEUMS: Tomashi Jackson on Color Theory and Race
Whitney Museum of American Art
STUDIOS: Dana Schutz on Why to Paint
Louisiana Channel
MUSEUMS: Rodney McMillian on Decolonizing Landscape Painting
San Francisco Museum of Modern Art
STUDIOS: NEW YORK ❤ MILTON GLASER
AIGA
MUSEUMS: Edmund de Waal’s Love Affair with The Frick
The Frick Collection
VAULT: Dropping in on Drop City with Clark Richert
Joan Grossman
STUDIOS: On the Met Rooftop with Alicja Kwade
The Metropolitan Museum of Art
MUSEUMS: Annie Lennox Goes Marie Kondo
MASS MoCA
VAULT: Joan Semmel Loves Painting (1995)
Paul Tschinkel - ART/new york
LONGFORM: Zanele Muholi, Visual Activist
Human Rights Watch
MARKET: Catherine Petitgas is an Enabler
Art Basel
STUDIOS: Hélio Oiticica Created Liberty Through Art
Tate
GALLERIES: What Jenny Saville Learned from Rembrandt
Gagosian Quarterly
MUSEUMS: Balkrishna Doshi Creates Architecture for the People
Vitra Design Museum
VAULT: Red Grooms Talks About ‘Dali Salad II’ (1987)
Minneapolis Institute of Art
LONGFORM: Björn Roth on Dieter Roth
Hauser & Wirth
MARKET: Kunsthalle Basel Is of Its Time
Art Basel
COMMUNITY: Thomas Lanigan-Schmidt – Artist, Gay-Rights Icon
MoMA PS1
STUDIOS: Jeffrey Gibson On Staying True
Whitney Museum of American Art
GALLERIES: Lucian Freud Gets Monumental
Acquavella Galleries
MUSEUMS: Dusting off ‘The Battle of Waterloo’
Rijksmuseum
VAULT: Just KAWS? Early Work (1997)
Daniel Lahoda
LONGFORM: On Private Funding of Public Biennials
Art Basel
MARKET: Olga de Amaral Lives With Color and Space
Christie's
COMMUNITY: Lithuanian Artists’ Operatic Reflections in Venice
Venice Biennale
STUDIOS: Hannah Chalew on Making Art About Climate Change
Joan Mitchell Foundation
GALLERIES: Bernar Venet Breaks from Geometry
Blain|Southern
VAULT: Will Barnet Was an American Treasure (2012)
NYC-ARTS on PBS
COMMUNITY: Rhizome Champions Digital-Born Art
Bloomberg Art+Technology
STUDIOS: Stephen Shore Is Not Interested in Nostalgia
NOWNESS
GALLERIES: Jason Martin Goes Through the Process
Lisson Gallery
MUSEUMS: Elliott Hundley Resists His Authority
The Museum of Contemporary Art, Los Angeles
VAULT: Peter Campus Hates “Three Transitions” (1973)
San Francisco Museum of Modern Art
LONGFORM: Sarah Green on Public Funding for the Arts
The Art Assignment
MARKET: Making Old New Again at Kunstmuseum Basel
Art Basel
COMMUNITY: Risa Puno Explores the Privilege of Escape
Creative Time
STUDIOS: Arthur Jafa on Black Visual Expressivity
Sydney Opera House
GALLERIES: Vincent Tiley – Abstract Expression of Queer Desire
Zeit Contemporary Art
MUSEUMS: Leonor Antunes Sculptures Collaborate with Each Other
Whitechapel Gallery
VAULT: Martin Puryear Explores Human Scale (1999)
Getty Museum
LONGFORM: For Jannis Kounellis, Art Is Drawing Life
Louisiana Channel
MARKET: Is Georg Baselitz the Greatest Living Painter?
Sotheby's
COMMUNITY: Nothing is Certain with Cathy Wilkes
British Council
STUDIOS: Philippe Parreno Doesn’t Completely Give Up Control
Berlin Art Link
VAULT: Keith Haring Chats in Milwaukee (1983)
Haggerty Museum of Art
LONGFORM: Keith Haring On the Fence
Haggerty Museum of Art
MARKET: Frieze New York Opens Up Diálogos
Frieze New York
COMMUNITY: Rachel Rossin Re-Envisions Virtual Reality
National Geographic
STUDIOS: Lauren Halsey Keeps Adding Layers
The Museum of Contemporary Art, Los Angeles
GALLERIES: Rare Robert Rauschenberg Series in Salzburg
Galerie Thaddaeus Ropac
MUSEUMS: Tavares Strachan on Launching ENOCH into Space
Los Angeles County Museum of Art
VAULT: Kenny Scharf Doesn’t Need Permission (2012)
Movies On Artists
LONGFORM: Pipilotti Rist Gives Back to Everyone
Bloomberg Brilliant Ideas
MARKET: Yves Klein Shows Us the Immaterial
Christie's
COMMUNITY: José Parlá on the Abstract Language of Graffiti
Savannah College of Art and Design
STUDIOS: Where Leonardo Drew Gets It Done
New York Magazine / The Cut
GALLERIES: Alice Aycock Removes Herself (1977)
Galerie Thomas Schulte
MUSEUMS: Radical Gestures of Painting Color
Whitney Museum of American Art
VAULT: A Poem for Joan Miró (1955/1956)
Museum of Modern Art
LONGFORM: Are Art Fairs Unfair?
Talking Galleries
MARKET: Jeremy Couillard Collaborates with Code
Phillips
COMMUNITY: Huma Bhabha Builds Monuments
ICA Boston
STUDIOS: Taeyoon Choi Builds a Personal Internet
Pioneer Works
GALLERIES: Brian Maguire Paints in Solidarity
Alice Black
MUSEUMS: The Costume Institute Gets Campy
The Metropolitan Museum of Art
LONGFORM: Bill Viola Discovers What’s Under the Surface
Louisiana Channel
MARKET: Frank Stella Has the Touch
Christie's
COMMUNITY: Matthew Porter is a Romantic
Aperture Foundation
STUDIOS: Richard Billingham On Stopped Time
NOWNESS
GALLERIES: Förg & Lethbridge Channel Dylan
Contemporary Fine Arts, Berlin
MUSEUMS: The Revolutionary Portraiture of Moroni
The Frick Collection
VAULT: Agnès Varda on ‘The Beaches of Agnès’ (2010)
PBS POV
LONGFORM: Simone Leigh on the Legacy of Black Nurses
Creative Time
MARKET: Najla El Zein In Transition
Friedman Benda
COMMUNITY: Siah Armajani Builds Neighborhoods
Public Art Fund
STUDIOS: Alec Soth Navigates the World
Institut für Kunstdokumentation
GALLERIES: Schachter & Mesler Take Their Show on the Road
Rental Gallery / Cultural Counsel
MUSEUMS: Wait, Is That a Garden Hose?
Fine Arts Museums of San Francisco
VAULT: Vintage Elizabeth Murray
Paul Tschinkel - ART/new york
LONGFORM: Isa Genzken Is It
Museum of Modern Art
MARKET: Art Basel Hong Kong and the Asia Art Archive
Art Basel
COMMUNITY: The Nature of Lynda Benglis
Artforum
STUDIOS: Cecilia Vicuña and an Ancient Language of Textiles
Brooklyn Museum
GALLERIES: Chemould Prescott Road Gives Indian Artists a Voice
Art Basel
MUSEUMS: The National Gallery Faces the Gender Gap
The National Gallery, London
VAULT: Agnes Martin on Ideas Versus Inspiration (1997)
Chuck Smith
LONGFORM: Women Artists and Postwar Abstraction
Museum of Modern Art
MARKET: TEFAF Maastricht Entrance Behind-the-Scenes
TEFAF
COMMUNITY: #5WomenArtists with The Art Assignment
The Art Assignment
STUDIOS: Vija Celmins Paintings Are Their Own Reality
San Francisco Museum of Modern Art
GALLERIES: All Eyes Are on Carol Rama
Lévy Gorvy
VAULT: Laurie Anderson Tries to Be Innocent (1984 & 1999)
Paul Tschinkel - ART/new york
LONGFORM: Roberta Smith on Painter Elizabeth Murray
Anderson Collection at Stanford University
MARKET: Cristina De Middel Changes the World
Paris Photo
COMMUNITY: Dorothea Tanning Inhabits the Night
ZCZ Films
STUDIOS: How Carolee Schneemann Drew Inspiration
NOWNESS
GALLERIES: Chang Tsong Zung Counters a Proposition
Art Basel
MUSEUMS: Andy Warhol Was Out Against the Grain
Whitney Museum of American Art
VAULT: GalleryBeat TV Pollutes Our Minds
GalleryBeat TV
LONGFORM: Jerry Saltz on the Good, the Bad and the Very Bad
Kent Presents
MARKET: Carolee Schneemann (RIP) 2012 Documentary
Marielle Nitoslawska
COMMUNITY: Xaviera Simmons in Conversation with Maria Brito
Cultured
STUDIOS: Leo Villareal Explores Light’s Primal Effects
MIT List Visual Arts Center
GALLERIES: Jessica Stockholder Work Does Not Stand on Its Own
Kavi Gupta
MUSEUMS: Judy Chicago Is out of Step
Institute of Contemporary Art, Miami
VAULT: Hans Haacke Fends off Encroachment (1986)
Illuminations Media
LONGFORM: Lyle Ashton Harris on Andy Warhol
Dia Art Foundation
MARKET: Shantell Martin Encourages Mistakes
Adobe Magazine
COMMUNITY: Faith Ringgold Is Not Waiting Around
Makers
STUDIOS: Betye Saar Has Stories to Tell
Los Angeles Times
GALLERIES: Miroslaw Balka Builds Walls
White Cube
MUSEUMS: Nari Ward is Full of Grace
The Vilcek Foundation
VAULT: Theaster Gates Hosts a Feast (2012)
Smart Museum of Art
LONGFORM: Thelma Golden Pries Open Exhibition–Making
CUNY TV Black America
MARKET: Visionary Artists Drive the Studio Museum
Sotheby's
COMMUNITY: Fred Wilson Collects “Degradaria” to Understand It
San Francisco Museum of Modern Art
STUDIOS: Amy Sherald Paints with a New Heart
Shine Creative
GALLERIES: New Approaches in Mexican Abstraction from Casa Wabi
Blain|Southern
MUSEUMS: Ebony G. Patterson Draws You In
Pérez Art Museum Miami
VAULT: Ken Price Found the Highway to the Unconscious (2005)
Matthew Marks Gallery
LONGFORM: Robert Ryman (1930–2019) Made it Look Easy
Art21
MARKET: Surreal Dreams of the “Black Renaissance”
UTA Artist Space
COMMUNITY: Paul Mpagi Sepuya on Lorna Simpson
Los Angeles County Museum of Art
STUDIOS: Allen Ruppersberg’s Studio is a Copy Machine
Walker Art Center
GALLERIES: Norbert Schwontkowski Relates to Us
Contemporary Fine Arts, Berlin
MUSEUMS: Ai Weiwei Takes on Los Angeles
Marciano Art Foundation
VAULT: Responding to Jacob Lawrence’s ‘Migration Series’
PBS Newshour
LONGFORM: Mark Bradford Makes Space
Bloomberg Brilliant Ideas
MARKET: Objects Tell the Story of Frida Kahlo
Christie's
COMMUNITY: Emily and Mitchell Rales Channel Art and Nature at Glenstone
CBS Sunday Morning
STUDIOS: For Gajin Fujita the Street and the Studio Combine
Frieze Art Fairs
MUSEUMS: Trenton Doyle Hancock Brings the Moundverse
MASS MoCA
